The Research On Harmony Techniques Of Wang Lisan’s "Suite Children’s Hearts"

Wang Lisan(1933-2013)is a famous contemporary composer and music educator in China.He devoted his life to piano music creation and covered a wide range of subjects.Wang Lisan has created nearly 70 piano works in his lifetime,accounting for half of the total number of piano music compositions in the Northeast period.These excellent music works are enough to reflect the nutrient of music creation that the composer has absorbed from this vast black land.What blossomed on the black and white keys is not only the melody tones in Wang Lisan’s piano works,but also his deep love for this black land.In the music creation,the composer integrates Chinese national and folk tones and western music composition techniques,so that the two can be integrated in Wang Lisan’s music works.No matter from the composer and his music creation,the in-depth study is beneficial to carry forward the national culture and feelings,and is beneficial to the Chinese localization of piano music creation and research."Childlike Innocence" was created in 1973 and finalized in 2007,which lasted nearly 30 years.The piano piece "Childlike Innocence" is the longest one of Wang Lisan’s works,which lasted through the best time of the composer’s life.In the works,the composer expresses the Chinese folk music culture and the lively and happy music melody incisively and vividly.In terms of creative techniques,the works perfectly integrate national and folk music with western composing techniques to express the feelings of the composer in the creation of national music.Each of these works uses a short,concise title to reflect the composer’s playful,urchin mentality while writing,thus expressing the composer’s childlike mentality.This paper takes the piano piece "Childlike Innocence Collection" as the research object,focuses on combing the composer and his works,interprets and analyzes the harmonic techniques and musical characteristics of the piano piece "Childlike Innocence Collection",in order to explore the composer’s music creation thinking from multiple perspectives,and accumulate experience for future music creation and teaching research.