Schubert’s Piano Sonata D.960 In B Flat Major Analysis Of Performance Techniques

In terms of Schubert’s musical contributions,it seems that most of them are evaluations of his contributions in the field of vocal music,and it was only after his death that his instrumental works were performed and became well-known to the world,thus discovering the significance of his instrumental works.The last three piano sonata of Schubert in the peak period will be more mature in musical form than the sonata in the previous two periods,and Schubert will also slowly change from the classical creative approach to the romantic creative approach.This paper takes the performance skill analysis of Schubert’s Piano sonata D.960 in B flat major as the research object,and makes a basic background study from Schubert’s life background,the development period of Schubert’s piano sonata,and the musical structure analysis of sonata D.960.At the same time,on this basis,it mainly analyzes the performance skills in this sonata,starting from the key touching,phrase,pedal and other important skills of performance skills,Based on my own practice,analyze the key techniques that I believe are difficult in this song.In the final chapter of the article,the author combines his own experience in second creation and performance,and compares different performance versions of Yin Chengzong and Richter,summarizing the inspiration from his own practice of second creation.Extending from spectral analysis to actual performance,refining the techniques used in performance can better convey the main idea of the original piece and help the author perform and express it more comprehensively.