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Inheritance Of Anti-tradition

Posted on:2023-06-02Degree:MasterType:Thesis
Country:ChinaCandidate:T T WangFull Text:PDF
GTID:2545306800972899Subject:Fine Arts
Abstract/Summary:
This article attempts through the analysis of the cultural tradition of Germany as well as social and cultural situation after world war ii,Germany and the Barcelona Leeds experience of life,art,literature and art on the impact as the research background,from various angles to parse barca Leeds evolution of painting style,further to barca Leeds "inverted painting" works focus on analysis,To explore the artistic value and influence of inverted painting.As the fruit of Barzelitz’s rebellion against modern art and inheritance of Traditional German art,inverted painting is the product of artists’ artistic ideas in a special era and has become the most characteristic artistic style in Barzelitz’s artistic career.Zhu Qingsheng believes: "Art makes you become an independent person,every country has its own past tradition,and developed countries are not limited to inheriting tradition,but more emphasis on future-oriented creation,its" anti-tradition is great inheritance." From this point of view,this paper discusses how Bartholizz reconciled his rebellion and inheritance of tradition,and analyzes the significance of Bartholizz’s works to German art and the exploration of art forms.Article mainly divides into four parts,the first chapter studies the background of the new German expressionism creation,national culture from Germany,after world war ii German social situation,and barca Leeds art experience three aspects from far and near,from macroscopic to microcosmic Angle to layer upon layer analysis and combing the background of the creation of the barca Leeds;The second chapter studies bartholizz’s "inverted painting" form to discuss his anti-traditional creation practice,starting from the work,with anti-abstraction,anti-narrative,anti-aesthetic as the main characteristics of the American abstract expressionism and painting tradition rebellion;The third chapter,from the inheritance of Bartholizz to the spirit of German national culture and expressionism,reintroduces the figurative painting,returns the easel painting marginalized by modernism,and gives painting new possibilities in the rebellion and inheritance.The fourth chapter discusses the value and significance of Bartholizz’s inverted painting.The inverted picture changes the viewing Angle and the status of the painter and the audience.Through the return of figurative painting,it eliminates the function of traditional art and pays more attention to the pure image elements of painting,creating art based on traditional German culture.
Keywords/Search Tags:Barcelize, German neo-expressionism, The horse picture, Figurative painting
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