Analysis Of Musical Expression Of Huang Huwei’s Piano Suite Painting Of Bashu

As a representative work of the ethnic piano music suite in the 1950 s,"Paintings of Bashu" has been studied by many relevant scholars and piano performers for more than half a century because of its outstanding ethnic characteristics and expression methods.On the basis of combining the research of predecessors,this paper analyzes the musical expressiveness of the emotional field,the visual field and the ideological field,comprehensively demonstrates the aesthetic integration of emotional experience,visual expression,ideological connotation and other aspects with the "Painting of Bashu",tests the rationality and practical application of the musical performance in the paper at the level of practice and performance analysis,fills in the shortcomings of the previous research on the musical expression of "Painting of Bashu",and provides the basic material for the development of related work in the later stage.It also provides relevant ideas for the study of piano suites of other ethnic groups.This article is divided into four sections.The first part is an introduction,which mainly expounds the relevant research background,research significance,research methods and literature research;the first part is an overview,mainly from the background of the life of composer Huang Huwei to explain the background and creative techniques of "Painting of Bashu".The second chapter is the analysis of musical expressiveness,from the three aspects of emotional experience,visual expression,thought and emotion in the music,the analysis and elaboration of the emotional experience around the color expression of the sound area,the musical suggestibility of the title;the visual performance around the natural scenes,moving images of things,character images,and activity scenes presented by the music are analyzed;the ideological and emotional aspects are analyzed from the ethnic custom symbols and the meaning tone;The third chapter combines the specific application of concerts,mainly from the perspective of performance techniques and the combination of personal concerts in piano performance,through the playing of touch keys,decorative tones,the use of pedals,etc.,to grasp the aesthetic meaning of the musical performance of "Painting of Bashu".The creation of "Painting of Bashu" is based on the composer Huang Huwei’s full understanding and understanding of the western Sichuan region of China to obtain the ethnic piano music works,the memories of the homeland of students and young people are the foundation of the creation of "Painting of Bashu",the nationalized cultural material is the soil of the creation of "Painting of Bashu",and these have been fully reflected in the structural organization,tonal arrangement,and texture arrangement of the composition of "Painting of Bashu",and have been fully reflected in different rhythmic changes,strength and weakness contrasts,and dynamic changes.The imitation simulation and other aspects show the musical picture of the Bashu region,turning the abstracted musical symbols into figurative visual pictures,and realizing the transfer from "feeling" to "scene".In the actual music performance process,we should clarify the hierarchical relationship between concept-emotionsound-technique,pay full attention to the key drop methods such as "push","grasp" and "fall",fully grasp the awareness of the use of decorative sounds of "intended to be the first in the pen",fully coordinate the interaction between the left and right hands and the relationship between primary and secondary,and distinguish the use of pedals under the atmosphere of different scenes and emotional expression.