Aesthetic Consciousness Of Shang Dynasty Dance In Chinese Classical Danceheritage Research

Shang Dynasty is the second dynasty in Chinese history,and it is also the first recorded dynasty in Chinese history.Shang culture can be divided into three stages:early,middle and late,with slightly different distribution ranges.The early and middle shang culture centered on the middle reaches of the Yellow River and reached the Yangtze River basin.The late Shang culture still occupies the whole area of henan and most areas of Shandong and Hebei.The art,writing,etiquette system and technology created by the business culture have a profound impact on the formation and development of Chinese civilization.Shang dynasty of dance culture is extremely rich,shang dynasty,there are many information about dance custom records,there are some in the oracle as the shang dynasty or shang king personal divination records we find in the "king",and some noble family of divination records we find in the "king" have reflected,it also suggests that,in the shang dynasty dance art activities is a very broad,From merchants,nobles,political and religious etiquette and ruling elites,to subjects,witches,all extensively participate in dance activities.It can be said that dance art is an indispensable part of the Shang Dynasty,which occupies an important historical position in the shang culture.At the same time,dance art in the Shang Dynasty plays a pivotal role in the whole historical development of dance,which provides a model for the innovative development of dance in the Zhou Dynasty and even the whole history of dance.The aesthetic consciousness of dance art in Shang Dynasty reflects the aesthetic consciousness of society in Shang Dynasty,which shows the artistic spirit of shang Dynasty and the consciousness of kingship influenced by social consciousness all affect the development of aesthetic consciousness of dance in Shang Dynasty.At the same time,it has a profound influence on the development of aesthetic consciousness of later classical dance.Chinese classical dance revived the ancient Chinese dance.The aesthetic principle of Chinese classical dance is the spread and continuation of Chinese culture for thousands of years,It inherits tang song dance and self-consciousness "dance drama" the ancient dance culture,as well as in chow music,can see the clues,contemporary classical dance is indispensable to the development of traditional Chinese culture,business culture is an important part in the development of Chinese classical dance aesthetic consciousness,for the development of China’s classical aesthetic consciousness has a far-reaching influence.Chinese ancient dance research in han,wei and jin dynasty,tang dynasty has a certain effect,but in the summer of the western zhou dynasty dance research is relatively less,less intuitive physical shang dynasty dance also,so the study of the shang dynasty dance aesthetic is of great significance,in the study of the shang dynasty dance,begin from shang dynasty dance aesthetic consciousness of the shang dynasty dance can provide more powerful evidence,At the same time,it is of great significance and value to the study of shang culture behind the dance of Shang Dynasty.This study is mainly to systematically sort out and deeply analyze the aesthetic consciousness of shang dynasty dance and Chinese classical dance,aiming to find out the remains of the aesthetic consciousness of Shang Dynasty dance in the aesthetic consciousness of Chinese classical dance through sorting and analysis,so as to lay a theoretical foundation for further research on the aesthetic consciousness of Shang Dynasty dance.At the same time,the aesthetic consciousness of Chinese classical dance and the aesthetic consciousness of Shang dynasty dance can inherit and develop better.This study adopts the methods of literature investigation,historical research,analysis,comparison and induction to study the remains of shang dynasty dance aesthetic consciousness in Chinese classical dance aesthetic consciousness.Research is divided into four parts,the first part is the study of the shang dynasty dance aesthetic consciousness,through the analysis,the shang dynasty dance "in aesthetic consciousness has moral and social consciousness,the basic characteristics of the merger and integration,the impact of the beauty of dancing art clever image features,moment for the United States,based on the view,and sharp mysterious beauty.The second part analyzes the aesthetic consciousness of Chinese classical dance,and concludes that the basic characteristics of the aesthetic consciousness of Chinese classical dance are "dragon and phoenix" consciousness,the concept of form and spirit,and the concept of static and dynamic.The dance art under its influence has the external characteristics of "twist,tilt,circle and melody",and the internal contains the charm and dynamic concept of Chinese classical dance "flowing clouds and water".The third part summarizes,compares and combs the aesthetic consciousness of Shang Dynasty in The aesthetic consciousness of Chinese classical dance.After induction,it is concluded that it has the characteristics of symbolizing,attaching importance to the mainstream class aesthetic and inheriting innovation.The fourth part elaborates the value and significance of shang dynasty dance aesthetic consciousness in Chinese classical dance aesthetic consciousness.Through the analysis of the above four parts,while understanding the aesthetic consciousness characteristics of The Dance in Shang Dynasty,we also understand the aesthetic consciousness characteristics of Chinese classical dance,as well as the aesthetic consciousness remains of the dance in Shang Dynasty in the current Aesthetic consciousness of Chinese classical dance,and through the comparison and sorting of the aesthetic consciousness of the dance in Shang Dynasty and the aesthetic consciousness of Chinese classical dance.It deepens the theoretical basis for further research on the aesthetic consciousness of the dance of shang Dynasty,and also plays a certain practical significance for the generation and development of the aesthetic consciousness of Chinese classical dance.