The Embodiment Of Kabalevsky’s Three Pillar Ideas In Piano Concerto No.3 In D Major

Dmitry Borisovieh Kabalevsky,a pianist of the Soviet Union,devoted his life to music education and composing.His contributions involved many aspects and promoted the development of music education in the whole society.Kabalevsky’s theory of music education is different from the philosophy of many Western educators and musicians,and it is still worthy of our in-depth study and study.In the syllabus of the Soviet Union General Music School,which was compiled by Kabalevsky,his idea of "three pillars" was approved by most teachers and accepted by students.It is a well-known concept that has been tested by practice.The concept of "three pillars" is music with singing style,dance style and March style.Kabalevsky’s works are rich and varied.The research object of this paper is Piano Concerto No.3 in D Major,which is a work specially written for teenagers.It has certain representativeness.The concept of "three pillars" is embodied vividly in this work,and it is a good work worth studying.In the preface,the author introduces the research value of the research object,the research status at home and abroad and the methods used in the research;the first chapter summarizes Kabalevsky’s life and works of different periods,narrates the origin of the concept of "three pillars" and analyses the creative background of the research object;the second chapter focuses on the concept of "three pillars".Chapter three analyses how Gilles’ performance embodies the concept of "three pillars".What inspirations do we have? What problems should we pay attention to in our daily practice? It is very helpful for us to understand this work,and it is more conducive to learning and playing the work in the future.