Research And Application Of Traditional Colors In Huizhou Architectural Space In The Ming Dynasty

Chinese traditional architectural color is not only an important component of the feudal etiquette system,but also an ideographic symbol to distinguish architectural grades.At present,China is facing many propositions such as the revival of traditional culture and the revitalization and development of rural areas,while the convergence of traditional local architectural colors and the encroachment of regional color features are becoming increasingly serious.After the traditional architectural color of Huizhou has been symbolized as the overall image of architectural color of "pink walls and black tiles",the regional color of Huizhou has become an abusive "black and white gray" color system due to misreading and simplification.Based on the theoretical basis of architectural color,guided by the color geography of Professor Jean Longkoro,combined with the institutional,conceptual and technical nature of traditional Chinese color,the article uses the methods of literature reading research,field survey and mapping,interdisciplinary research and case study to comb the historical documents of the architectural color of the typical folk buildings in Huizhou in the Ming Dynasty,such as the Kanluo Dongshu Temple,Analyze the causes of traditional color and quantitative research of color measurement model.Through the investigation of the architectural color of Luodongshu Temple,the collection,induction and analysis of the architectural color data samples,the systematic analysis of the color of the architecture and its decorative color paintings based on CIE-LCH and Munsell color stereo system,the architectural color spectrum and organization rules of Luodongshu Temple are constructed,and its activation is applied in the architectural renewal of Huizhou traditional villages,Objective To expand the research path of traditional color art by means of color science and provide methods and references.Based on this,this paper selects the Dongshu Temple in Chengkanluo,Huizhou,as a typical research object,and uses the relevant theories and quantitative methods of color science to divide the paper into five parts to explore.The first part discusses the source and background of the subject,the research object and content,the research method and framework,and the research status of domestic and foreign architectural color,Huizhou architecture,and Huizhou traditional architectural color;The second part expounds the traditional architectural color concept of Huizhou,summarizes the western quantitative color research methods,colorimetry,color geography and various color systems,and summarizes and analyzes the development of Chinese color concept.This paper analyzes the causes of the formation of Huizhou regional color in the Ming Dynasty by combining Chinese and Western color science and color geography.Lay the foundation for the follow-up field survey,mapping and analysis;The third part is the core chapter of this paper,which is the in-depth investigation of the background of the early research objects and the detailed preparation of the research tools and methods.Through the field survey of the indoor and outdoor color of the Dongshu Shrine in Chengkanluo,the architectural color background is analyzed,the color elements and typical color data in different architectural spaces are integrated and collected,and the architectural color and decoration color are divided according to the data;In the fourth part,the typical architectural color values of Luodongshu Temple are sorted out,and the three basic attributes of the collected color samples are quantitatively analyzed by using cluster analysis and Munsell color system to obtain the color characteristics evaluation of the architectural types of Luodongshu Temple,and the recommended color spectrum and color spectrum of Luodongshu Temple are established to provide color material support for subsequent applications;In the fifth part,we selected the literature temple,an important spatial node in the traditional village of Chengkan in Huizhou,to carry out practical demonstration,investigated the transformation object of the literature temple in Chengkan village and the location analysis,and reconstructed the color of the reconstruction project with the recommended color of Luodongshu Temple building,so that the recommended color of Luodongshu Temple building was confirmed by practice.The study of the chromatographic characteristics of typical traditional buildings in Huizhou,on the one hand,adds the quantitative data of the color of traditional buildings in Huizhou,on the other hand,hopes to play a positive reference role in the protection and inheritance of the color features of regional traditional buildings,and at the same time provides reference significance for the introduction of regional color cultural connotation for the future architectural design in the region.Figure [amount] table [amount] reference [amount]...