Research On Contemporary Women’s Han Chinese Clothing Of Ming Dynasty Style In The Ideas Perspective

With the return of traditional culture,Chinese clothing is reborn.Hanfu is a concrete expression of China’s excellent traditional culture,bearing the cultural gene and ideological connotation of the Chinese nation for thousands of years.As the culmination of the development of China’s traditional clothing,the distinctive style of the Ming Dynasty Han style clothing is deeply loved by people,and plays an important role in the inheritance and development of contemporary Han style clothing.At present,most of the academic research on the Ming Dynasty Hanfu focuses on the innovative design at the material level,and there is a gap in the research on the specific shape characteristics and cultural ideology of the contemporary Ming Dynasty women’s Hanfu.This paper takes the concept and contemporary Ming women’s Hanfu as the research object to study the materialization and evolution of the concept in clothing in different times.Based on the analysis of the materialization paradigm of the concept in the traditional women’s clothing of the Ming Dynasty,it establishes the basis for the study of the contemporary women’s Han style clothing of the Ming Dynasty.By analyzing the social mainstream trend of thought in the context of the revival of contemporary Han clothing,this paper studies the dress characteristics,dressing phenomena and the style of the times of women’s Han clothing made in the Ming Dynasty under the concept of the new era.Finally,by comparing the similarities and differences between ancient and modern concepts and clothing performance,the paper explores the ideological roots of the development of the Ming Dynasty Han style clothing in the contemporary era,so that its spiritual civilization gene and clothing characteristics can be inherited,providing a basis for the diversified development of the Ming Dynasty Han style clothing in the contemporary era.The following conclusions are drawn:1.The ideas of the Ming Dynasty were flourishing and changing,which led to the change of women’s clothing style in different periods.As the cultural gene of traditional clothing,the concept of "heaven and man" determined the basic shape structure and tailoring concept of women’s clothing in the Ming Dynasty.Under the influence of Neo Confucianism in the early Ming Dynasty,the clothing style was characterized by strict hierarchy,simplicity,and uniformity.The proportion of clothes and skirts was obviously inverted.There were few types of clothing but strict regulations.The liberation of human desire in the middle and late Ming Dynasty brought about the secularization of "arrogating","different clothes" and "competing for extravagance".The women’s clothing style was rich and colorful,new systems were made repeatedly,and extravagance and diversity were sought.A new style of stand collar structure and gold buttons appeared.The elegant and free image of long clothes and big sleeves reflected the unique style of the times.2.The concepts contained in the contemporary Ming women’s Hanfu are mainly divided into national concepts,cultural concepts and inheritance concepts based on the interpretation of different levels of emphasis.National concepts include "nation based" and "spiritual understanding",which promote the contemporary return of traditional clothing by seeking national identity and belonging at the spiritual level.Cultural concepts include "culture oriented","respecting Zhou Chengming" and "Confucian self-cultivation".By refining the essence of excellent traditional culture,it promotes the regeneration of traditional culture in the contemporary era by relying on material forms and bow practice.Inheritance concept includes "system inheritance" and "daily use aesthetics".Based on the diversified wearing scenes and fashion aesthetics of modern clothing,we explore the development and interpretation of the dual needs of traditional clothing in practical functions and personality aesthetics,promote the process of its contemporary revival,and improve the practicality,popularity and popularity of traditional clothing.3.The contemporary concept has made the women’s Han clothing of Ming Dynasty adapt and change in the clothing style,clothing form and dressing phenomenon.Fashion style has produced the differentiation of restoration style,traditional style and modern improved style in the contemporary era.Modern improvement includes daily improvement and aesthetic improvement.Fashion form has been innovatively designed,adjusted and improved in style characteristics,pattern theme expression,color style and fabric technology.The phenomenon of dress shows the mixture of traditional dress and modern fashion,the change of traditional dress level and the appearance of popular dress.4.Contemporary ideas not only inherit traditional ideas,but also abandon and change feudal traditional ideas,and the progress of the times has resulted in the evolution and integration of ideas.The inheritance of "national rejuvenation" and "psychology" promoted the rejuvenation and return of the contemporary Ming Dynasty Hanfu,and pointed out the fundamental purpose of the inheritance of Hanfu.The transformation of the meaning and function of the traditional "self-cultivation" in the Ming Dynasty removed the dross of feudal hierarchical consciousness,enabling the spiritual connotation of excellent traditional culture to be inherited and retained in the contemporary era.The "secularization" concept of pursuing novelty and seeking difference in the Ming Dynasty evolved into the contemporary open and inclusive concept of pluralistic "keeping pace with the times",and the women’s Han style clothes made in the Ming Dynasty showed a style of integrity and innovation,highlighting the civilization of the times.The concept of "harmony between man and nature" is expanded at the spiritual,cultural and material levels,and integrated into the contemporary "harmony between soul and body",showing the modern civilization of traditional clothing.5.The similarities and differences of the materialization of ideas are reflected in the inheritance and change of the tradition of the contemporary Ming women’s Hanfu.There are abundant material materials of clothing in the Ming Dynasty.The contemporary women’s Han style clothing made in the Ming Dynasty inherits the basic styles,clothing colors and traditional patterns of traditional women’s clothing in the Ming Dynasty.Under the influence of contemporary concepts,there has also been a change to the tradition.The function of clothing has changed from the traditional identity classification to the contemporary application scene classification.The style features have been adapted to serve people,which is both practical and aesthetic.The pattern features more express the diversified aesthetic demands of personality,and the artistic expression forms are more free.The color features tend to be elegant and mild,and the color system style is differentiated and distinct.It is more combined with the current popular color trend,breaks through the expression of traditional color style,and has unique characteristics of the times.