The Theme And Expression Language Of Chinese "local Realistic" Oil Painting

From the late 1970 s to the end of the 1980 s,local realistic oil painting was in the important historical period in the history of Chinese oil painting development,and it has abundant academic value and occupies an important historical position.Under the influence of reform and opening-up and the trend of ideological liberation,the realistic oil painting of the countryside has realized the return of art creation to realism and humanism.Looking back on history,the reasons why artists choose local themes and the characteristics of the language of realistic painting still need to be discussed.First of all,it expounds the background of realistic oil painting in China and analyzes the achievements and influence of realistic oil painting in the two stages of development of the Republic of China and the founding of the People's Republic of China.Secondly,after distinguishing between scar art and local realistic subject matter,then around the opportunity generated by Chinese native realistic oil painting to discuss the Chinese native realistic oil painting theme selection of external and internal causes.Thirdly,the characteristics of the expression language in the realistic oil painting of Chinese native land are analyzed,the expression language is integrated with the subject matter,and the classification study is carried out according to the characteristics shown in the artist's works of art.Through the analysis and research of the expression language,it is possible to find the linguistic characteristics and internal connections of the realistic oil painting in the new period,and to further refine the national spirit and cultural connotation in the realistic painting of the Chinese native land,and further promote the development of the expression language of the oil painting.Finally,we think again about the realistic oil painting of the local land,and expound the follow-up development of the realistic oil painting in the contemporary.