An Exploration Of Localized Cognition Of "dance Theater"

As a style of dance art from Europe,"dance theater" has rapidly influenced the creation of Chinese dance art since it was introduced into China in the 1980 s.The man choreographers in this time period is not satisfied with their current dance creation technique,to breakthrough the limitation of traditional dance concept,in contact with "dance theater" after the western art style,opened their dance creation of the "new world",gradually began to try to use in the dance works creation "dance theater" way of creation,And in the work to integrate a variety of forms of "crossover" art,so that the work presents a diversified characteristics,breaking the shackles of traditional dance,expand the performance of dance works,better in the work to express their true feelings and thoughts.The main purpose of this paper is to analyze the cognition of "dance theater" from the perspective of different identities from the cognition of "dance theater" localization,and explore the difference and open characteristics of "dance theater" localization cognition,as well as the reasons for this phenomenon.And find out the characteristics of "dance theater" in the cognitive development of the localization,and then explore the phenomenon of the development of "dance theater" as a western art style in China.The first part of the paper mainly combs the emergence and evolution of the concept of "dance theater" in the West,and expounds the localization of "dance theater" in China.Respectively from the concept of "dance theater" and local artistic thought of theory exploration and the director of Chinese dance with respect to the manner of the writing of "dance theater" try and practice two aspects,the brewing of the cognition of localization "dance theater" and development are analyzed,at the same time explore the "crossover" to "dance theater" role in the development of the localization.The second part of the article analyzes the ecological environment of the localized cognition of "dance theater".The social reality of the reform and opening up has given western artistic thoughts and forms of artistic expression the opportunity to spread in China,realized the exchange of eastern and western cultures,and laid a certain foundation for the enlightenment of the Chinese dance circle's localization cognition of "dance theater" in terms of social background and cultural context.At the same time,brought by the reform and opening up of Chinese dance idea change,given the contemporary Chinese dance art practitioners a broader field of vision,the Chinese art world with a more open attitude in the face of foreign art form,and the traditional Chinese dancers dance creation way the breakthrough and innovation,has emerged a large number of works named after "dance theater",It has realized the further development of people's localization cognition of "dance theater".And in the composition of the changes in the environment,and gradually formed a kind of art culture phenomenon,this kind of cultural phenomenon of further drive the industry environment of social mechanism,system transformation,the establishment of a small theater,the emergence of new literature and art community with all kinds of festival,and further promote the "dance theater" the cognition and spread of the new art form in their home.Article third part in view of the identity of "dance theater" different perspective of the cognitive research and analysis,in the study,respectively expounds the dance scholar,director,actor and the audience,respectively for the "dance theater" in concept,artistic characteristics,creation method,the performance way,cognition and understanding of many aspects,such as drama performance feeling.The fourth part of the thesis focuses on analyzing the differences and open characteristics of the localization cognition of "dance theater".Because different groups have different social backgrounds,artistic perception and personal experience,and different ways of understanding "dance theater",they have different understandings of "dance theater".The differences in the localized cognition of "dance theater" also reflect that the cognition of "dance theater" is characterized by openness.This openness not only includes people's acceptance of the idea of "dance theater",but also includes individuals' re-understanding and re-creation of "dance theater",which is a state of cognitive development.Through the research of this paper,the author realized that the localization of "dance theater" is not the development of one aspect of localization,but the multi-element localization under the joint action of many elements.With the continuous development of society,art the unceasing change of ecological environment,the cultural concept communication increasingly frequent collision between east and west,we the explore of the cognition of "dance theater" localization,is also discussed with respect to the manner of cultural concepts,cultural exchange,through the discussion of this paper can be seen at the core of the cultural development and the significance lies in the communication and integration.A cultural concept introduction and development,is not a simple cultural transplantation,but formed in constant communication and collision personal understanding and views,and connecting with the local cultural context,the foreign culture idea for processing and handling,become a local adaptation law of development of a new concept of culture,so as to get local cultural innovation and development.