Research On The Creation Of Urban Humanistic Documentaries From The Perspective Of Social Memory

Every city has its own cultural memory.Although the rapid economic development has changed the once-familiar landscapes,the cultural traditions and past feelings of people in the same city can still be sketched out through the patchwork of collective memories.The medium is the carrier of time and social memory.The media memory can achieve the amplification and expansion of individual memories.Through the research on the image presentation of urban humanities documentaries,the aesthetics of documentaries can be improved and the collective amnesia that may be caused in the era of information explosion can be avoided.This article attempts to examine the creation of urban humanities documentaries from the perspective of memory construction,expand the documentary research to the memory research,and explore the memory mission of documentaries.This article takes the urban humanities documentary as the theme,and explores the documentary's image presentation strategy for memory from the perspective of social memory.It takes the social memory theory,documentary film theory,and image narrative theory as the theoretical basis,combined with the analysis of the graduation work "Woodcraft and Memory",interpretes the creation techniques and image expressions of the urban humanities documentary.This article is divided into six parts.The preface includes the research background and significance of this article;the research summary,including the literature review of urban humanities documentaries,documentary reviews of documentaries and social memory,and the collation and analysis of related documentary image;the research methods and innovations of this article.Chapter one explores the narrative characteristics of urban humanities documentaries from the perspective of social memory,and explores that this type of documentary constructs memory spaces by depicting real styles,activates social memory with individual memories,and uses interaction between people and cities to demonstrate the urban cultural temperament;The narrative perspective expands the level of memory,and expresses the humanistic care with the populace creative perspective.Chapter two discusses its narrative methods around two narrative methods: the narrative structure serving the memory context,the story-based narrative and the simple narrative in the grand proposition.Chapter three studies the narrative language of urban humanities documentaries in three aspects: camera image,sound presentation,and post-production.Chapter four shows the narrative value of urban humanities documentaries from two aspects: the value of social memory and the value of cultural introspection,and reflects the image expression and function of social memory in this type of documentary.The last chapter combining the creative experience of the graduation work "Woodcraft and Memory",this article will be summarized,in order to provide inspiration and experience for the innovation of similar themes of documentaries.This article uses social memory as a research perspective,combined with the graduation work "Woodcraft and Memory",to explore how documentaries construct social memory and stimulate people's group identity.The research of this article is to prove the application of social memory theory in all aspects of the creation of urban humanities documentaries,and proposes that the construction of social memory is not a simple restoration of images,but to allow ideological and cultural values to be embellished by artistic techniques to convey the humanistic spirit and build the identity attribution.