Historical Changes And Human Destiny

In recent years,Shuangxue Tao,Ban Yu and Zheng Zhi three young writers in Northeast China have shown a sudden trend in serious literary writing,and their creation is different from the relatively flat and non-historical writing of the "post-80s" writers in the past,with a unique sense of history.This paper takes "history" as the core of the discussion,starts from paying attention to their concentrated outbreak,explores the history and reality inside and outside their stories,and deeply analyzes how writers deal with and present history in text creation.At the same time,dialectical attitude to examine the value and significance of their current creation.This thesis will be divided into three parts:The first chapter attempts to sort out the process of "concentrated outbreak" of "Tiexi three swordsmen ",and analyzes the creation of Shuangxue Tao,Ban Yu and Zheng Zhi,as well as how the outside world pays attention to and constructs them in the way of " group ".From the topic of "Northeast" to their Tiexi narrative,to explore the historical sense of his works is related to the traumatic history of Tiexi.How do they express the close relationship between urban destitute and history through novels.The second chapter discusses how to deal with and present history through the in-depth text.First of all,their creation is different from the perspective of workers to write laid-off workers,they are to observe people from the perspective of the second generation of workers,through the perception of life to reveal the historical pain behind personal stories,complete the historical impact behind the turning point of the times;secondly,they use the vague memory of characters,twists and turns of suspense to create a historical atmosphere,using suspense narrative to imagine and rebuild the history of the old industrial zone,trying to construct a personal history,in the suspense of the story to restore the dignity and justice of the weak;Finally,different from the typical realism to explore the historical truth and social essence,its essence is to explore how to tell stories through history.They only describe history at the discourse level,breaking the grand and complete historical face through fictional stories and poetic endings.The third chapter analyzes the significance of "Tiexi three swordsman" as a new literary force.First,because the creation of the popular "Tiexi three swordsmen" has become a cultural business card in the Tiexi District of Shenyang,Liaoning Province.Under the fermentation of the whole country,the Northeast is pushed to the center of criticism and construction.Of course,this construction also has problems,that is,Tiexi narrative is equivalent to complex northeast industrial writing,ignoring the diversity and differences between the three Northeast provinces;second,in the recount of Tiexi history,both summon an emotional community,Retrospect the collective memory of the Republic's history,and focus on a universal personal fate,calling for an emotional resonance beyond the region;Thirdly,from "what to write" to "how to write ",it not only echoes the realistic spirit,but also presents a pioneering exploration in narrative skills,which effectively expands the writing experience of the post-80 s writers group.To a certain extent,it meets the long-term expectations of writing and provides reference for how literature responds to the era of survival.Finally,this paper will also point out the possible problems of their creation,as well as the aesthetic dislocation of the understanding of the works from different readers' perspectives,and the deviation of the understanding of history.