| In the Sui and Tang dynasties,landscape painting gradually became an independent painting and began to appear in large numbers.Has appeared green,ink and other landscape performance techniques.In the green landscape painting,"Ming Emperor Xinshu picture " is a typical representative,which is of great value to the study of the development and features of early landscape painting.The limited existing landscape models also bring many difficulties to the study of early landscape paintings.And landscape paintings on the walls of this period influenced by green technique,217 wat Yu Pin "city" is one of the typical representative,compared with the early mural landscape techniques to be more perfect,multi-purpose chalk line draw the outline of reoccupy mineral pigment coloring,rich layers,tell from the whole mural landscape at this time under the influence of zhongyuan scroll paintings,it can be seen that the development of basic and green landscape painting.But at the same time,because Dunhuang is located in the western region and influenced by Indian Buddhist art,it retains its early planarity and decorative style and artistic treatment.The comparison and connection between Dunhuang fresco landscape and scroll landscape creation not only provides a relatively complete process for us to explore the origin,development and evolution of Chinese landscape painting,but also enables us to understand the artistic style of Dunhuang fresco landscape painting,providing more artistic nutrients for the creation of today’s landscape painting. |
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