Research On The Construction Of The Collection System Of Heilongjiang Printmaking In The 20th Century

At the beginning of the 20 th century,Chinese prints sprouted and developed with a new look,setting new Chinese art history standards of the20 th century.After the founding of the People's Republic of China,Chinese printmaking flourished and thrived throughout its development,alongside printmaking groups collectively demonstrating their regional styles.In the1950 s,the printmaking group Great Northern Wilderness emerged,focusing on representing the Heilongjiang Reclamation Area.In the 20 th century,the creation of Heilongjiang printmaking began a new modern journey.Since printmaking developed tremendously,the expression language and the creative content have tended to be further diversified.It is crucial to trace and re-examine the trendy print-making methods,thus conducting in-depth studies into Heilongjiang print creations.While the 20 th century Heilongjiang prints became the main body of collections,it is urgent for one to construct a more systematical and scientific collection system in order to explore art development laws further.In the study of Chinese art history,the Heilongjiang prints in the 20 th century are an essential part of the modern prints of the 20 th century in China and the history of Chinese art in the 20 th century.In the study of Heilongjiang art history,Heilongjiang prints in the 20 th century were the outstanding achievements of Heilongjiang's art development in the 20 th century.In the regional research of Heilongjiang,Heilongjiang prints in the 20 th century reflected Heilongjiang's social civilization's development in the 20 th century.Therefore,it is of far-reaching significance to sort out Heilongjiang prints' development context in the 20 th century and construct a complete collection system of Heilongjiang prints in the 20 th century.Simultaneously,through in-depth research on the construction of the Heilongjiang print collection system in the 20 th century,it is also of great significance to further improve the structure construction of the Heilongjiang print collection system in the 20 th century and explore the construction of the art gallery collection system.Therefore,I analyzed Heilongjiang printmaking's current situation through major art galleries and museums' databases and collections.In accompanying studies into Heilongjiang's print creations and other regional prints produced in the 20 th century,this thesis aimed to propose an effective way of building print collection systems from diverse perspectives.