Zhao Xiaogang Dance Theater "Fat Tang And Thin Song" Series Creation Research

In the new era of Chinese dance creation,the people's happiness is constantly improving and the people are constantly pursuing more happiness and happiness.The creation of Chinese dance is booming and prospering.The creative space is more relaxed and free,and the creative styles are more abundant and diversified.The identity of artists has become increasingly diversified,and many independent dance troupes and studios outside the system have emerged,contributing works with blurry style boundaries but artistic innovation,which greatly enriches the landscape and style of contemporary dance art.As an "independent choreographer",Zhao Xiaogang created the "Fat Tang and Slender Song" series of works with unique imprints.This is the integration of classical themes and classical elements supported by the spirit of traditional Chinese aesthetics,and has a distinctive "localization" imprint.Modern expression.The analysis of its creation will play an important role in how contemporary Chinese dance creation finds the corresponding interface of individual,tradition,era and aesthetic ideals,and has very important reference significance.The first chapter of this article first sorts out the stages of Zhao Xiaogang ' s artistic accumulation and creative accumulation,including the three periods of his education,his creative practice,and the establishment of the Xianwuren studio,to explore the formation of his creative style and aesthetic concepts.,development changes.Secondly,the second chapter cuts into the morphology of the three works in the "Fat Tang and Slender Song" series,focusing on the analysis of Zhao Xiaogang's exploration of the subject's ideas based on his own knowledge;dilutes the narrative in structure and innovates structural logic;and has "in the expression of artistic language" The image thinking of "idea first" and the fusion of integrated thinking;and the use of symbolism and defamiliarization methods in the construction of theater aesthetics.Thirdly,from the perspective of the identity of Zhao Xiaogang ' s creation,the third chapter analyzes his independent concepts of "imagery Chinese dance" and "history as bones,art as wings" as an independent choreographer,and serves as an independent choreographer.The management methods of participating in drama composition were sorted out.Finally,based on the research and analysis of the first three chapters,Zhao Xiaogang's own experience of "from pan-mania to fine","from following material to transcending material","from morphological modeling to spiritual building" is summed up,and combined with independent choreographers of the same generation Explains the understanding of "tradition-individual-modern" construction in dance creation and the thinking about the concept and characteristics of "dance theater".