Research On Film And Television Adaptation Of Yan Geling's Works From The Perspective Of Intertextuality

Yan Geling is an important writer in contemporary literary circles,and his literary works have unique themes and narrative styles.In addition,Yan Geling has the dual identities of a literary writer and a professional Hollywood screenwriter.His novels seem to contain more factors that can be easily converted into other art forms such as film and television.Many novels have been adapted into film and television works and put on the screen.It is quite high,but it has also attracted a lot of criticism.But to a certain extent,this critical discourse obscures the value of film and television as an independent art subject,and has a certain degree of lag and one-sidedness.Therefore,the dissertation adheres to the attitude of subject equality emphasized by the intertextuality theory,adopts equal dialogue instead of judgment based on literary authority,and examines Yan Geling's film and television adaptations rationally and fairly,in order to make certain supplements to related research on film and television adaptation.The specific elaboration framework of the thesis is as follows:In the introduction part,it first explains in depth the reasons and significance of the topic selection of the thesis,then sorts out and analyzes the current research status,and finally clarifies the research significance of the thesis and the research methods and methods adopted.The first chapter has a theoretical grasp of the relationship between intertextuality theory and film adaptation.First,it sorts out the development of film adaptation and research from "faithfulness","creation view" and "playing view" to intertextual dialogue;secondly,it analyzes the necessity and role of introducing intertextuality theory into film and television adaptation research;,Expounds the feasibility of applying intertextuality theory to the research of Yan Geling's film and television adaptation works.Chapter Two discusses the intertextuality between texts.First,it explains the intertextuality between Yan Geling's novel texts and film and television texts,and discusses the intertextual reference of the two art forms from three aspects: the organization of narrative time,the use of rhetoric,and the creation of characters;second,the intertextuality between texts is discussed.Differences,starting from the three aspects of narrative language,narrative perspective and narrative rhythm,it analyzes the different creative definitions of the same story in the two art forms of novel and film and television;finally,it summarizes the intertextual interpretation between literature and film and television.The intertextual interpretation between the texts has created a beautiful situation of co-prosperity and symbiosis.Chapter Three discusses the intertextual attitude between subjects.First,it analyzes Yan Geling's active intertextuality from the unique identity of "author +screenwriter" and the author's cross-media writing;The prominence and interactive feedback of subjectivity in the adaptation.The fourth chapter discusses the intertextual adaptation in the social and cultural context.Firstly,it analyzes the aesthetic evolution of social culture under the impact of multiculturalism;secondly,it explains the reference and transformation of the domestic film and television industry under the influence of the globalized Hollywood film and television model;finally,it discusses the domestic film and television industry's changes under the strict censorship system.Compromise and break through.The above analysis mainly combines the current situation of film and television adaptation of Yan Geling's novels,but it is not limited to this,but uses this to extensively investigate the current situation of film and television adaptation and research.The intertextuality theory combines the internal research of the text and the social research into a whole,and carries out in-depth research on the film and television adaptation of literary works in all-round and multiple fields,which has certain value.