Feng Chaoran was a representative master of the Shanghai style landscape painters during the Republic of China.He was good at landscape,figures,flowers and birds.He achieved the highest achievement in landscape painting,and enjoyed the reputation of "Three Wus and One Feng" and "Four Artists on the Sea" in the maritime painting circle.Feng Chaoran adheres to the tradition of literati painting,and his landscape painter is based on the famous masters of the past,and he has a new look,and finally forms a typical personal style of grace and elegance.According to the research of Feng Chaoran’s landscape painting creation process in different periods,there are three main reasons for the formation of his Xiuyi style.Firstly,it is influenced by his living environment and contacts,secondly,he inherited from his predecessors Xiuyi’s painting style,and finally attributed to his own The pursuit of sparse and elegant aesthetics has formed the elegant style of his landscape painting.According to the analysis of Feng Chaoran’s landscape paintings,his exquisite style is mainly expressed in the composition of the clear and elegant peace method;the pen and ink expression is loose and elegant and elegant;the color and color present the overall artistic characteristics of clearness and brightness.This article will conduct a detailed research on Feng Chaoran’s landscape painting in its Xiuyi style in terms of its artistic style,its appearance and influence.This thesis is divided into four chapters.The first chapter gives an overview of Feng Chaoran’s life,background and style of landscape painting.The second chapter analyzes the reasons for the formation of his elegant style of landscape painting from three aspects: the change of living environment,the painting’s inheritance and the artistic purpose.The third chapter analyzes the artistic characteristics of Feng Chaoran’s landscape painting in composition,ink and color,and expounds the external expression of his exquisite style of landscape painting.The fourth chapter explains the influence and limitations of Feng Chaoran’s Xiuyi landscape painting. |