Yuan Dynasty "Li Guo Chuan School" Landscape Painting Research

The achievement of landscape painting in the Yuan Dynasty is a peak in the history of the development of Chinese landscape painting.The development of landscape painting in the Yuan Dynasty followed the style of the Five Dynasties and the Two Songs.In the early Yuan dynasty,the painting world showed two styles of learning: "Li Guo" and "Dong Ju".The "Li Guo Painting School" is one of the main styles of landscape painting in the Northern Song Dynasty.The artist chose to learn to inherit this tradition,so the development of "Li Guo Biography" in the Yuan Dynasty,which was dubbed the "literal painting heyday",is worthy of attention.The thesis mainly uses the literature analysis method and the image contrast method as the research methods,and summarizes the research on Li Guochuan School of Yuan Dynasty from five aspects.The first is to make a distinction between Li Guo’s painting school and Li Guo’s Biography.Here,French Boudieu’s "art field" theory is used for analysis.Through investigation,it was discovered that the painters of the Li Guochuan School “run to” the Li Guo School under the special background of the Yuan Dynasty.On this basis,they broke through innovation and inherited Li Guo while breaking through Li Guo and being different from Li Guo.An analysis of the background of Guo Chuanpai’s landscape paintings.Through research,it is found that the development of Li Guochuan’s landscapes paintings has largely benefited from the support of the wealthy and powerful officials of the Yuan Dynasty.On the way,I got valuable opportunities.In the third aspect,I studied Li Guo ’ s inheritance and breakthrough of Li Guo ’s style of painting.While Li Guo ’s style inherited Li Guo ’ s method of stone,he also adopted Li Cheng in style and tended to draw folklore.There are both inheritance of tradition and innovation in the new era.The fourth is to study the integration and development of the Li Guo Chuan School under the background of the era.It is mainly divided into the blending changes of literati painting and Dong Ju landscape painting.Incorporating the "poetic sentiments" and "calligraphy pens" of the literati paintings,the picture began to appear structurally simplified and written in writing.For Dong Ju’s landscape paintings,they studied Dong Ju’s "Pima Ma" depicting landscapes in the south of the Yangtze River,and integrated Dong Ju’s methods in the style of painting.The fifth is to analyze the reasons why Li Guochuan School began to decline from the end of the Yuan Dynasty.The social changes in the late Yuan Dynasty led to the loss of the support of Li Guochuan,and the influence of the style of literati painting,which began to add to the prejudice of the "respect for the ancients" and "Southern and Northern Sects" in the Ming and Qing Dynasties.Li Guo Chuan Pai gradually declined.By studying the artistic background of the development of the Li Guo Chuan School in the Yuan Dynasty,the inheritance and breakthrough of its own tradition,the blending under the trend of the painting world,and the reasons for its decline,it can be found that the Li Guo Chuan School in the Yuan Dynasty has its development vitality.It is not only the "collective" of paintings inherited from the style of painting,but also the product of the times.Li Guochuan School actively sought breakthroughs in accordance with the background of the times.They responded to the beauty of the nobles and actively integrated the style of painting.In the history of the development of landscape painting in the Yuan Dynasty Has indelible value.