| Since the early 1990 s,especially in the context of the "85 trendy " literary and artistic revival and the reform and opening up and the process of globalization,china’s ink art has also carried out a contemporary transformation.Although contemporary ink has been controversial in concept and practice for nearly 30 years,it is worth affirming that there are still many works with breakthrough and reflective artistic contributions.Chinese contemporary ink painting in the 1990 s is an important transformation stage of Chinese ink painting art in the 20 th century.It is a pluralistic expression of a contemporary concept based on native culture.This paper studies the 1990 s from the perspective of schemata China’s contemporary ink,through schemata to sum up and reflect a period of art and culture,as well as the intuitive expression of individual experience.Under the influence of western modern art concept,especially based on the radiation effect of modern art,chinese contemporary ink struggles and transforms under the influence of social change and cultural trend of thought,forming a tension relationship with traditional ink art.On the one hand,it continues the traditional ink painting and program language,on the other hand,it also has some reference and transformation to the western modern art schema,so under the influence of this two-way relationship,the Chinese contemporary ink has the unique artistic value of keeping the ink ink We are also trying to explore new schema tendencies and reconstruct different cognition and vocabulary from traditional schema system.In this paper,three typical schemata(expressive schema,landscape imagery schema,abstract schemata)in chinese contemporary ink are intercepted.The purpose of these three kinds of schema selection is not to cover the whole Chinese contemporary ink paradigm,but to discuss the three more influential and typical schema tendencies in the Chinese contemporary ink since the 1990 s based on such a classification.Three kinds of visual forms which are paid more attention to in the process of continuous excavation and exploration in practice.In order to explore the origin and structure of contemporary ink and wash,a new space for the development of ink and wash art is created while exploring the enlightenment of the traditional classics.In addition,the author finds the personal schema suitable for ink and wash expression(rooted in his own cultural genes)in the reference comparison of the classical Chinese and Western schemas,and integrates the unique visual way and the individual life experience of the artist,and constantly seeks the internal self-discipline integrity and the external factors of ink and wash to expand the effective unity. |
