A Dialogue Study Of The "Rewriting" Film Of Twelve Angry Men

The 1957 American film twelve angry men is a very classic film in the history of film.With a score of 9.4 points on douban,it not only won three nominations for best picture,best director and best adapted screenplay at the 30th Academy Awards,but also ranked among the top five in the Internet movie database(IMDB).Due to its unique and excellent story structure,"twelve angry men" has attracted the favor of film creators from many countries,so there are four countries of the United States,Japan,Russia,China rewrite version.Since the creation of twelve angry men,scholars have analyzed and interpreted it from different angles.In this paper,on the basis of previous studies,bakhtin dialogue theory,Kristeva intertextuality theory and Genette hypertext theory as the support,combined with the narratology and literary and art criticism,aesthetic experience and the rational analysis,based on the original text "twelve angry men" and its four derived text bitonality within the text of the dialogue between the text and of intertextuality dialogue phenomenon such as dialogue,to explore "twelve angry men""rewrite" film rich nature of the dialogue.Through the dialogical research on the"rewrite" film of "twelve angry men",the author hopes to guide the better creation of the film and "rewrite" film.This thesis consists of introduction,four main chapters and conclusion.Introduction Part is the introduction section Outlines "twelve angry men" and so on a total of five films in the position in the history of film,the research value and its interactivity in the domestic and foreign research present situation,and has summarized the theory of dialogue and intertextuality theory,using descriptive study,literature research and case study method,for "twelve angry men" "rewrite" film rewrite traits and interactivity.The first chapter explains twelve angry han as a rewrite film,in which the concept of rewrite made a definition:"rewrite" refers to the author near the original movie text,using the restatement,migration or paraphrase the plot of the original text,dialogue,characters and their relations,environment,social context elements such as as the way,and then derived movie text behavior of behavior,"rewrite" film,is characterized by"rewrite" films.It is clear that "rewrite" film has the characteristics of form and effect.The article also tries to discuss the rationality of twelve angry men as a rewrite film.The second chapter mainly analyzes the dialogism in the original text of the twelve angry men dynasty,analyzes the large dialogue,the micro dialogue and the unfinished dialogue in the text,and reveals the omni-directional and multi-layered features of the dialogue in the original text of the twelve angry men dynasty.Third chapter mainly explores "twelve angry men" "rewrite" film the intertextuality between the original text and the derived text dialogue,this chapter Kristeva intertextuality theory and Genette hypertext theory,analysis of "twelve angry men",97 "twelve angry men","twelve gentle Japanese","twelve angry men·big trial","12 citizens" five film text from the form into the kernel of intertextuality,reveal its text intertextuality between a special form of hypertext sexual equality dialogue relations.The fourth chapter analyzes the causes of hyper-textual dialogue in "carbon" films from three aspects:realistic context,cultural context and social context.The conclusion of the paper points out that dialogue is the center of the "rewrite"meaning,"twelve angry men" dialogue "rewrite" film,the film between the text and text contained bitonality,intertextuality and hypertext level dialogue,is actually a reflection of social ideological trend in diversified interactivity,has profound cultural and social significance.Facing the era of globalization under the development of dialogue theory,based on "twelve angry men" "rewrite" movie dialogue should study,thinking about the future across the multinational "rewrite" film in sexual development,as well as the"rewrite" movie dialogue brings the diversification of context,to try to "rewrite" film creation for the future to provide some Suggestions and ideas.