Research On "Wall Painting Phenomenon" In The Background Of Rural Cultural Construction

As related policies of "new rural construction" were gradually promoted in our country in 2005,wall painting;as a special artistic form,was introduced in rural areas and penetrated into each corner of the villages.In the current rural construction,the function of the wall painting art is mainly inclined to its social function,serving as the propaganda tool of the mainstream ideology,with low aesthetic value.However,as one of the highest forms of human aesthetic consciousness,wall painting has multiple social functions based on aesthetic value,and its various social functions can only be realized on the basis of aesthetic value.Under the background of vigorous development of cultural construction in Chinese villages,this paper takes the general "wall painting phenomenon" in most villages as research object and combs its current situation to conduct research aiming at the problems existed in the“wall painting phenomenon”,corresponding reasons and influence.Firstly,under the background of“new rural construction”,the subject,content,form and characteristics of wall painting in rural areas are analyzed and the nature of wall painting art in rural areas at present is summarized by the means of field investigation;Secondly,centering on the massive wall paintings in every corner of the villages in our country,the existing problems are analyzed in the process of rural construction,including content stereotype,symbolizing and image project based on loss of relative independence,and corresponding reasons are analyzed;Finally,under the premise of long time dimension,the influences on the environment and personnel involved in the“wall painting phenomenon”derived from“new rural construction”are explored.The special effects of wall painting which is a kind of media vehicle and form are explored and acknowledged,including promoting policy propaganda of local governments,guiding villagers to establish correct value judgement and improving village appearance,and from a broader perspective,the influences of the stereotyped and symbolized wall painting art on the villages and the aesthetic concept and life of villagers are analyzed.Besides,the essential attribute of art-aesthetic,the aesthetic pursuit of rural construction are considered so as to provide certain research basis for the development and perfection of the wall painting art in rural areas and rural construction.