The Influence Of Regional Culture In The Middle-lower Reaches Of The Changjiang River On The Formal Language Of Oil Painters’ Works

According to the development history of Chinese and western oil painting art,we can draw a conclusion that different regional culture is an important factor that causes t he difference in the form and language of oil painters’ works.Especially in China,The c ollision and fusion of various cultures in China provide a good platform for the full dev elopment of oil painting form language.Therefore,it has always been an important rese arch topic to explore the origin between the formal language in oil painters’ works and regional culture.Taking the middle and lower reaches of the Yangtze River as an examp le,this paper analyzes the regional environment in shaping the character of oil painters from the perspective of regional culture,as well as the differences in formal language a nd oil painting language and style in oil painting works,and further captures the infor mation of regional art revealed in oil paintings.The article is divided into four parts.First,define the meaning between region and regional culture,analyze the advantages and characteristics of China’s regional culture,as well as the relationship between regional culture and oil painters.Secondly,it sorts o ut the factors that influence the differences in the forms and languages of oil painters’ works,starting from the regional environment,cultural atmosphere and the shaping of t he characteristics of oil painters from various angles.Third,an in-depth analysis of the geographical environment and cultural atmosphere of the plains of the Middle and low er reaches of the Yangtze River（Yangtze River Delta region,Anhui Province,Hunan P rovince,Hubei Province and Jiangxi Province,etc.）on the oil painter’s work of the for m of language.This paper shows that the geographical environment of these places is a lmost similar,but the personalities of oil painters are quite different due to different cul tures.Therefore,he works of oil painters contain emotions and the oil painting language used in the creation process is also very different.Fourth,reflect on the relationship bet ween the regional culture in the middle and lower reaches of the Yangtze River and the formal language of oil painters’ works,including exploring regional cultural aesthetic r esources and improving the artistic connotation of regional culture to prove that regional culture has a subtle influence on oil painting language.Methods such as maintaining the freshness of regional culture and promoting the benign interaction between oil painting and regional culture prove the mutual dependence between traditional culture and art and provide a new Angle and method for China’s oil painting to absorb the value of regional culture.The author expects the new generation of oil p ainters in China to create more oil paintings that carry forward the excellent traditional culture of the Chinese nation,so that Chinese oil paintings can truly show their unique Oriental spirit.