The Knowledge And Practice Of Vocal Music Performance Art From The Perspective Of Embodied Theory

The theory of "embodied" holds that human beings are the integral whole of body and mind,and its philosophical basis is "body and mind monism"."In the final analysis,the world we construct is rooted in our experience as physical and spiritual bodies,where our bodies interact with the environment through physical processes such as perception and kinesthetic activity.This is called ’embodied’ in embodied linguistics." [Ronald W.Langeyck,Introduction to Cognitive Grammar（II）,translated by Huang Bei,The Commercial Press,2016,page 502.]Human "embodied" is the basis of perception,concept,and kinesthetic ability.Our current life is the interaction of body perception,kinesthetic activity and the surrounding environment,which is transformed into our own experience through physical behavior.In the vocal performance,the singer through the theory of the work to master and understand,the music with their own "body" to show the audience,the singer’s "body" and the perfect combination of music together,with voice,expression,body movements,body rhythm and other "body" functions and representation of the presentation,transmission to the audience.Singing is the sound of human "flesh",which is emitted by the human body and closely related to the transmission of sound by the throat,vocal cords and vocal organs.The synchronization of these physical phenomena also needs the cooperation of human psychological function.In addition,it is a series of physical reactions in singing based on body（physiology）and expression（psychology）,including body expression and body expression.This paper expounds the knowledge and practice of vocal music performance art from the perspective of "embodied" theory by combining the theory of "embodied" with the practice of vocal music performance.This article mainly through four parts to study and discuss,in the first part of the author first This paper analyzes and interprets the theory of "embodied",and understands the origin and concept of "embodied" and the main characteristics of "embodied".To sort out the research in various fields of "embodied",summarize the theoretical research on "embodied" in music,and determine the theoretical research direction of "embodied" in vocal singing.The second part,from the aspect of vocal music art to study the theory of "embodied",leading to vocal music performance is one of the manifestations of the theory of "embodied",there is an internal relationship between the two.The relationship between vocal music performance and embodied theory is interdependent and interdependent.So,can be extended to the third part,"and" in vocal music performing experience,both technical and performance,by own experience and a deeper understanding of the vocal music and "and" theory,combining the author’s own performance and learning theory,make the vocal music direction has greater improvement.First music art,then vocal music performance art,from sound technology to artistic expression can explain the internal relationship between the two,the author finally through the practice of case analysis of vocal music performance under the embodied aesthetic scale of research.The fourth part,the significance and value of the theory of "embodied" in vocal music performance,on the one hand,is to deepen the theory of vocal music performance and the development of the subject theory.On the other hand,through the research of "embodied" theory,the author’s vocal music singing has a practical orientation,music accomplishment,singing aesthetic has been improved.Singing proves the importance of embodied theory.Embodied theory and vocal performance are interdependent.Finally,the positive role of the combination of theory and practice is expounded.Through the in-depth study of specific theories in the field of vocal music art,the editor’s thoughts and understanding of vocal music art have been improved,and the aesthetic scale of music performance has a certain grasp and understanding.According to some of the author’s learning experience and practical teaching experience in the process of music performance,the case can reveal the profound influence of "embodied" theory on music performance art,and on the author in the future music singing work and own teaching has a very important theoretical guidance and practice significance.By exploring the influence of "embodied" theory on the aesthetic scale of music performance,the author finds that appropriate aesthetic scale meets the point of music performance,and that using corresponding aesthetic scale in different music creation will play a good role in the overall effect of music creation.Again,the research results of "embodied" theory combined with music art have influenced the creation and appreciation of artistic works.In the perspective of "embodied",in-depth study of music performance art theory can not only have a new theoretical basis for the whole field of vocal music art,but also have a more intuitive and in-depth guidance and promotion of music performance practice by combing and interpreting this theory.