The Re-expression Of "Field" Visual Space In Contemporary Waterborne Paint Materials

The "field" of this paper means that in the painting or in the space of the painting exhibition,the artist creates the "field" space in the work subjectively,which has an emotional influence on the viewer.It integrates the traditional field theory: the guidance of the psychological field to the viewer’s emotion and the spatial logic part of the art field.With the development of contemporary art,space has no longer become the background foil of art works.The artist focuses on the visual space of "field",and the atmosphere creation becomes one of the representations of the expression of "field" in the painting,which makes the viewer have emotional resonance and Second dialogue.The paper takes Waterborne paint materials and studies the expression of "field" space.The article is divided into four parts: The first part takes "field" as the entry point,introduces the concept and development of "field",the spatial logic of "field",and the correlation of "field" and visual space.The second part explains how to express the "field" space in the Waterborne paint materials,which is introduced respectively from the three aspects of material,composition and color.The third part summarizes the specific practice of "field" in Waterborne paint materials,lists the paintings of many artists,and analyzes them from the painting itself and eastern and western painting.The fourth part combines its own creation,expounds the personal creation ideas,and the personal expression of the "field" space.This paper proves the self-consistency of Waterborne paint materials,and explores the significance and value of "field" visual space expression.