On The Oriental Interest Of Material Language In Comprehensive Painting

Since the 1980 s,comprehensive painting has entered China,this form of contemporary artistic expression in front of the artists,has undergone a learning understanding,digestion and absorption process.With the development of the times,this kind of means has stepped into a period of deep combination with the spirit of the traditional Oriental culture,which is a subject that we are facing and should study deeply now.Based on the thought of cultural inheritance and innovation,with the research and development of Chinese culture as the concept,and with the comprehensive material painting and performance as the starting point,this paper probes into the material spirit of the comprehensive painting,and excavates the relationship between the material property and the artistic taste in the Oriental aesthetics,and carries out experiments and argumentation through the comprehensive material creation.In the first chapter of this paper,the development of comprehensive material painting in China and the West is sorted out and studied.With the completion of the Industrial Revolution in the West,the progress of science and technology as well as thought and culture makes the painting materials and artistic ideas evolve and change constantly.After China’s reform and opening up,many new cultures and new ideas have sprung up and developed rapidly.Integrated materials,as a comprehensive artistic expression,are used by some domestic artists to make bold attempts and explorations.The second,third and fourth chapters will discuss the spiritual characteristics of the materials,the experience of individual life emotion,and the expression of emotion and sentiment through the works.Through the use of material language for interest in the performance of research,understanding of material properties,improve the skills of artistic creation,as well as creative ideas,improve the learning and self-cultivation in the comprehensive material painting study.Through study and research,this paper summarizes the key points of using material language to express the interest from the following aspects: Firstly,we should grasp the material characteristics and characteristics of materials in the process of using material to create;Secondly,we should not blindly stack materials,and the combination of materials and techniques should be achieved in artistic creation;Thirdly,we should attach importance to the spiritual and cultural characteristics of the current era in the process of artistic creation,so that pen and ink should follow the times;Fourthly,good artistic creation should be the display of artists’ ideas,so that things and ideas can be combined.Through combing the development of the aesthetic form of oriental interest,this paper studies the spiritual orientation of oriental interest and its concrete expression in contemporary comprehensive painting,discovers the contemporary expression direction and oriental aesthetic concept of comprehensive painting,which conforms to the current development direction of the times.Combined with the development trend of cultural inheritance,this paper analyzes the various ways of expression of oriental interest in contemporary painting by using material language.Based on the combination of contemporary aesthetic interest and the concept of comprehensive material art creation and its diversified means,this paper shows the influence of oriental aesthetic idea on contemporary painting by applying the interest of material language to the concept of comprehensive material art.