A Study On The Art Of DongTuXuanlanBian By Zhan Jingfeng

This article is a study of the "Compilation of The Dong Tu Xuanlan" written by Zhan Jingfeng.The article first sorts out Zhan Jingfeng’s life and family,clarifies the social and cultural background formed by his calligraphy and painting art practice,and on this basis,discusses Zhan Jingfeng’s aesthetic view in conjunction with the "Book Purpose" and "Painting Purpose".Secondly,it deeply studied the circulation of more than 620 calligraphy and painting works and antiquities contained in the "Dongtu Xuanlan Compilation",sorted out the top-down circulation phenomenon of the collection of the late Ming Dynasty collection circle and the formation of the collection circle in the Jiangnan region,and analyzed the collection preferences of the connoisseurs in the Jiangnan region who mainly used calligraphy and painting and the attitude towards counterfeit calligraphy and painting,as well as the economic behavior of hui merchants to discuss the advantages and disadvantages of the collection market.Finally,through the combing and analysis of the calligraphy and painting literature of the past dynasties,the relationship between the writing style and region of the calligraphy and painting literature of Jiangnan literati and calligraphers in the late Ming Dynasty,as well as Zhan Jingfeng’s critical awareness of calligraphy and painting appreciation and Zhan Jingfeng’s view of calligraphy and painting,further clarifies the significance of the "Eastern Map Xuanlan Compilation" in the ancient Chinese calligraphy and painting literature.