The Influence Of Sushi’s “Vivid Record” On My Creation

The "passing of spirit" put forward by Gu Kaizhi,a painter in the Eastern Jin Dynasty in the fourth century A.D.,is the earliest and relatively complete painting theory in the history of Chinese art.Over the years,it has been continuously enriched and expanded,and has gradually become the core idea of Chinese painting theory.After that,Sushi,with his unique wisdom and profound thoughts,and through the creation of the personal practice and deep thinking,in his "vivid" inheritance and exposition of Gu kaizhi’s theory of "god",then expounds the specific artistic expression,"lifelikeness" emphasize the most prominent feature of the painter must be good at capturing characters and logo,the so-called "meaning",It is pointed out that "the meaning of mortals is different,or in the brow,or in the nose and mouth",or "between the beard and the cheek".So how to grasp the personality characteristics of the object,Sushi proposed that "if you want to get the person’s day,the method of public observation." That is to say,to grasp the personality characteristics of the object,to walk into the living environment of the writer’s careful observation,only in the same environment to understand the life of the writer,grasp its most natural habitual movements,emotional performance.This is an important method and discovery in the artistic observation proposed by Sushi,which has important enlightenment for the author in the process of figure painting creation how to observe the writer.This article attempts to make some new explorations from inheriting and developing the viewpoint of Sushi’s "Vivid Record" and combining the creation practice of figure painting.