The Interpretation And Practice Of Schubert’s Piano Sonata In A Minor D.784

Among the more than twenty piano sonatas written by Schubert,this work was born in the middle of his creation,when he was suffering from illness.Reaching and playing this work are also meaningful ways to understand the creating motivation of Schubert.Each movement of Piano Sonata in A Minor D.784 is relatively independent in terms of musical structure.The mode is modulated from a minor to F major,and the tonality returns to a minor in the third chapter,which fully reflects the integrity of the work.This article intends to discusses the performance of Piano Sonata in A Minor D.784 mainly on three aspects: firstly,the music visualization analysis of the work;Secondly,the comparative study of different performers’ performance versions;Thirdly,the experience in the self-learning and practicing process.The music visualization analysis of Piano Sonata in A Minor D.784 on "dramatically" and "duplicity";By comparing different performers’ versions,I chosed Evgeny Kissin,Alfred Brendel,Andras Schiff,and Wilhelm Kempff’s recording versions,which helping me open my mind on the diversity of interpretation.During the period of reaching,the abilities of self-learning,stage-experience and problem-solving would assistant me to make a superficial contribution to the study of Schubert’s piano sonata works.