Synthetical Material Representation And Research On Artistic Conception Of Xishu Garden In Song Dynasty

The Xi Shu gardens of the Song Dynasty are the essence of Chinese traditional cultural aesthetics,integrating technical exquisiteness,cultural expression,and elegance.At present,there is no research on the creation of comprehensive materials for the artistic conception of Western Shu gardens in the Song Dynasty in China.Through the investigation,analysis,and understanding of important historical materials such as document files and archaeological materials,this article has unearthed the cultural psychology,affection expression,and era characteristics of Song people,and used comprehensive materials to experiment and create the artistic forms of the Song Dynasty Xi Shu gardens.And on this basis,further use of modern art to expand the space and scope of artistic creation,increase the inclusiveness and diversity of expression styles,and explore a new path that combines traditional and elegant culture with contemporary comprehensive material art,which can reach other.The unachievable effect of artistic creation enhances the buried artistic sense of the Xi Shu gardens in the Song Dynasty.This article uses epic and poetic records to practice the comprehensive material creation of the Xi Shu gardens in the Song Dynasty,trying to find the artistic conception of the garden in the picture,and use the materials that have been explored in the comprehensive material painting to be slightly integrated into the language of the picture.The thesis is mainly divided into four chapters for topic selection,discussion and analysis with pictures.The first chapter is an overview of the creation of comprehensive materials on the theme of Xi Shu gardens in the Song Dynasty and expounds the conceptual expression and exploratory significance of the comprehensive materials on the theme of Xi Shu gardens in the Song Dynasty.The second chapter is about the aesthetic creation of Xuan Hua Garden,the most classic garden of Xi Shu gardens in Song Dynasty.The third chapter is the use of comprehensive materials to create Western Shu gardens in the Song Dynasty.The fourth chapter is the inspiration and perception of the author’s artistic creation from the Xi Shu gardens in Song Dynasty.