| With the development of The Times,image technology has become a popular medium.In the long river of painting art,the history of the combination of western art and science shows that the development of art cannot be separated from the support of science and technology.After the baptism of time,the two have been inseparable,they are one of the same quality.The combination of image technology and art has become the mainstream of artistic innovation.The derivative works of art quickly became part of people’s lives.This is precisely how images can be used as a symbol of a new age in art.The 20 th century computer based on the outbreak of the fifth information revolution,also known as "digital and information revolution" computer is no longer a representative of science and technology,it will coexist with modern aesthetics.Pixelated images are used in painting,which is different from traditional painting.No longer limited to paper and pen to draw patterns,digitalization can replace manual image design.Its abstract design style and expression way,deeply loved by artists.Such developments give rise to new thinking.In this era,aesthetic appreciation is improving and painting symbols are also evolving.The main purpose of this paper is to use the convenience of image to screen print creation practice.The author analyzes the contemporary painter Yang Hongwei’s "image · plain analysis" and reelaborates the meaning of images and characters in the form of prints.Another contemporary screen printing painter-Zhang Lian series of works.It is full of fun and thickness,and the "dialogue" between art and pixels.It extends the history of the evolution of art history and expresses the contemporary characteristics of screen print art from an unprecedented perspective.Andy Warhol,the representative artist of screen print abroad,is also a representative figure of screen print.By analyzing his works,he explains the influence of image technology on screen print creation.The author integrates pixelated image into screen print creation to continue the new visual language in painting. |