From The Perspective Of Film Semiotics Research On The Sound Design Of Dennis Villeneuve’s Films ——Take DUNE As An Example

The film has gone through more than 100 years since the French photographers Lumiere Brothers screened "The Gate of the Factory" in1895.With the continuous development of film technology,the research on film has become more and more extensive and in-depth.Film is an audiovisual art,and both picture and sound should be its important symbols.But at present,the symbolic element of sound is still in a weak position in the film,which is related to the under-emphasis and application of the function and value of sound.Compared with the development of sound design in my country,Hollywood had the position of "Sound Designer" in the 1970 s.Later,in the long-term practice,a relatively complete sound design process was developed,so that the talents in all aspects of the film sound can be brought into full play,so as to create a film and television that is more complete,rich,and full of narrative art and aesthetic taste.work.Among them,the films of Canadian director Dennis Villeneuve are unique in audio-visual style and are well-known in the film industry.Villeneuve is best known for the philosophical thinking and stylistic audio-visual features contained in his works.Villeneuve places great emphasis on sound design,and his sound team has won major film awards.Villeneuve’s sound design philosophy is: not to surprise the audience,but to immerse them.He and his sound team make good use of musical narration.Music is often used as an interpretive symbol in the narrative of the plot;the sound aspect always have a sense of presence,connecting sound and space to highlight the psychological activities of characters in specific scenes..This article will try to start with film semiotics,take Dennis Villeneuve’s "Dune" as the main research object,analyze it from the perspective of sound design and summarize the theoretical system of Villeneuve’s film sound design system,which is a good example for Chinese films.In particular,it provides a certain reference for the exploration and development of the sound design field of Chinese films.