Research On Audio-visual Language Based On Chinese Push The Original Mythology

Since 2015,the wind of myth in the domestic animation film market has drawn "Mythology" into people’s field of vision,followed by the emergence of a large number of myth-themed film and television works,which has greatly aroused people’s concern about the mythology."Chinese mythology" is a creative theme.After a period of precipitation,domestic scholars have gradually formed a strong interest in tracing the origin of the Chinese mythology system,as well as in the modern transformation of Chinese mythology,and how far it can evolve in film and television works.However,in the process of tracing the origins of Chinese mythology,the category of "Push the original myth" cannot be avoided.It is the most important category of mythology in the complex mythology system,and has the function of living inheritance with time evolution,so it is the category of mythology.The interpretation of film and television works provides a wealth of themes.The animated film "Big Fish and Begonia" unblocked people’s imagination of the mythical world,"The Return of the Great Sage" made a bold breakthrough in the traditional mythology,and the Zhu Bajie series of TV series transformed mythology from a serious atmosphere into a lively and humorous comedy,the TV animation "Chinese Myths and Stories" to be broadcast in 2021 will give people a more systematic understanding of the Chinese push the original myth.This topic sorts out the development context of Chinese push the original myth,and based on the application of push the original myth in film and television works,summarizes and analyzes its audio-visual language characteristics,and explores how to reconstruct audio-visual language to achieve better expressiveness.In order to achieve theoretically the goal of making Chinese film and television works with the theme of the original mythology shine on the stage in the future.This article starts with the concept of "Chinese Myth of Pushing the Originals",and analyzes its inner meaning,various directions and main inheritance patterns that have evolved in the process of historical dissemination.Through the analysis of the characteristics of push the original myth,it can be seen that the combination with film and television works,especially film and television animation is particularly harmonious.Therefore,the author starts from the audio-visual language of the original mythology-themed film and television works,and analyzes the characteristics of it and other themes of film and television works by analogy,and obtains its awakening and breakthrough in the three audio-visual characteristics of narrative,character design and montage techniques.And absorb and streamline these features into the personal animation creation "Silk Horse" with the original theme.This subject uses literature research method,case analysis method,Chinese and foreign comparative research method,and functional research method to make an in-depth analysis of Chinese film and television works with the theme of push the original myth mythology,and concludes that the video transformation of push the original myth requires it to focus on narrative texts and cultivate traditions.,innovating the narrative structure;endowing the myth prototype with the contradictions of the times in the character design;eclectic in the scene scheduling,fully creating the fantasy atmosphere of the myth.At the same time,breaking away from the shackles of film and television audio-visual language,the sound development of film and television works with the original mythology is inseparable from the establishment of the Chinese mythology system and the local mythological universe.