The Important Role Of Linguistic Rhythm In Modern Drama Performance ——Father Opened The Door As An Example

The purpose of studying this topic is to verify the important role of language rhythm in drama performance,including what is language rhythm,the expression mode of language rhythm,the role of language rhythm in performance,and how actors change the characters’ inner complex emotions into effective performance means through accurate language rhythm,so as to achieve a reference and practical theoretical basis in the future.In order to make the argument of this paper get accurate argument and full demonstration,the author takes the drama "dad opens the door" as an example for in-depth analysis and research,and makes the conclusion of this paper well documented and reasonable through the support of actual cases.In drama performance,language is the basic means for actors to reflect their characters.Whether actors can reflect the emotional changes of characters through accurate language rhythm processing plays a vital role.In addition to mastering the most basic professional skills of Qi,sound and words,actors should also master the ability to determine the character’s language rhythm in the analysis work,and find the appropriate application of language rhythm.we must carry out voice training.Only by mastering these sound skills can we express the characters and make it a good play.actors should first carefully study the script,analyze the character characteristics in this process,bring themselves into the specified situation and deeply experience the role life.Only by finding the accurate inner basis can we find the accurate language rhythm.Only by mastering the central idea and character characteristics of the script can we provide an emotional basis for the use of language skills,and actors can create distinctive and personalized characters on the stage,making the stage performance more infectious.The control of language rhythm also reflects the rhythm of the whole play,which is the external embodiment of the inner rhythm of the characters and the rhythm of the plot.