| Intangible cultural heritage is the embodiment of a country’s spiritual wealth and cultural soft power.With the advent of the new media era,many excellent local cultures are quietly disappearing or are facing the crisis of disappearance.If the government does not take timely protection measures,many excellent martial arts intangible cultural heritage will disappear in the long history with the passage of time,and once the intangible cultural heritage of martial arts disappears,the traditional martial arts culture of China will also disappear,so the protection and inheritance of the intangible cultural heritage of martial arts is urgent.Since the country vigorously developed intangible cultural heritage,the spiritual wealth buried in the folklore due to regional factors has been greatly promoted and disseminated,but the dissemination is limited,and the promotion of martial arts intangible heritage is only limited to the government level and has not entered thousands of households,and the public’s understanding of it is also half-understood.The rescue of martial arts not only enhances national identity and promotes cultural self-awareness of the national public,but also is a manifestation of the realization of the Chinese dream of great rejuvenation of the Chinese nation.Chinese martial arts have a long history,with thousands of years of history.Wuchang eighteen kinds of martial arts are special among many kinds of martial arts,not only in martial arts movements and skills,but also in the production process of eighteen kinds of weapons.It is convenient to record martial arts routines and martial arts skills in the form of images.The video preservation of the 18 martial arts of Wuchang has a catalytic effect on the development of Chinese martial arts culture.Taking the graduation work Wuchang Shibaban martial art as an example,this paper will explore the documentary and image expression of martial arts intangible cultural heritage,carry forward the martial arts spirit,spread martial arts culture,improve the communication of martial arts intangible cultural heritage documentaries,and make a modest contribution to the publicity of the 18 martial arts of the five permanent members.The paper is discussed in five parts.The first chapter focuses on the introduction,the significance of the research on martial arts-based non-foreign heritage documentaries,the current status of the research,the research methodology,and some preliminary work for the thesis.Chapter 2 is an overview of the meaning and characteristics of martial arts intangible cultural heritage and the significance of studying the creation of martial arts intangible heritage documentaries.The third chapter is about the image documentary and narrative strategy of Wushu intangible cultural heritage documentaries Chapter 4,the video narrative language of martial arts non-heritage documentaries,will be interpreted from three aspects: picture language,editing techniques,and sound elements,for director elaboration and further interpretation of the comprehensive use of film and television techniques in martial arts non-heritage documentaries. |
