| As a style of northeast local drama,Huanglong Opera is a local drama with distinct regional characteristics developed on the basis of northeast shadow play and mixed with northeast folk song,Northeast dagu,northeast rap and other art forms.Based on the theory of Western narratology and the traditional content of Chinese classical narration,This paper divides the content into four chapters,and discusses the development overview of Huanglong Opera,the narrative research of huanglong Opera writing text,the narrative research of Huanglong Opera performance,and the influence and value of the narrative art of Huanglong Opera.In chapter one,the development overview of Huanglong Opera is divided into two sections,which are mainly introduced from two aspects: the development track of Huanglong Opera and the research on the relationship between huanglong Opera text and Huanglongfu culture.In section 1,a brief history of the development of Huanglong Opera divides its development process into three periods: initial development period,reform period and secondary development period.In the initial period of development,most of them were reproductions of other classical dramas,but their artistic characteristics were not clear.In the period of change,after the seminar in 1989,the large-scale historical dramas of Liao and Jin dynasties were taken as a new development goal,which made Huanglong Opera bid farewell to the single theme and present diversified features.In the second stage of development,Huanglong Opera combined new elements in artistic presentation,and achieved rapid development in stage design,costumes,makeup,props and other aspects,and was included in the national intangible cultural Heritage list in 2008.The second section focuses on the relationship between the text of Huanglong Opera and the culture of Huanglong Prefecture,and studies the geography,history and culture of Nongan County,jilin Province,the birthplace of Huanglong Opera,during the Liao and Jin Dynasties and the Bohai Period,so as to prove that Huanglong Opera is an excellent achievement under the accumulation of local culture.The second chapter is divided into three sections,discussing the narrative theme,characterization and language foundation.The first section in the surface narrative theme,will be summed up as the love theme of bitter sorrow,the female theme of courage and knowledge as well as the palace internal struggle of loyalty and adultery theme;In the deep narrative theme,emotional states are divided into four stages:adolescence,youth,middle age and old age.In the second section,the characterization methods are divided into multi-view characterization and circular characterization.This paper focuses on the characters from a multi-dimensional perspective,and analyzes them from the perspective of concept and interest,taking "Shengming Lou","Lady Yingge"(also known as "Wu Shu and Yingge")and other plays as models.The third section will be based on the narrative language of huanglong drama,the standardization of the prose language and the application of poetic bai,and summed up its humorous narrative style.In the third chapter,the author discusses the narrative content of drama performance from the perspectives of lyricism and stylization.This chapter is divided into two sections.In the first section of the lyrical characteristics of opera performance,opera performance as a combination of lyricism and narrative performance,should enhance the proportion of good at expressing emotions,weaken the plot is not conducive to the presentation of the theme.In the second section of the influence of stylized performance on narrative timing,it is pointed out that as one of the basic means for opera performers to shape their personal roles,formula is both the material and method for their artistic creation.The fourth chapter discusses the value and influence of narrative art of Huanglong Opera from two aspects: the influence of Huanglongfu culture on narrative art of Huanglong Opera and the narrative value of Huanglong Opera,which is divided into two sections.The first section summarizes from two aspects of text genre and music characteristics Huang Longfu culture effect of narrative art in huanglong drama,the huanglong drama text subject matter boils down to is given priority to with the liao history historical themes and is given priority to with contemporary life two parts,the realistic themes and music in huanglong drama in the years of development the rheological contained in the process of this paper summarizes characteristics of countryside.The second section discusses the value of local opera in narrative art from two aspects of literary value and cultural value of narrative art of Huanglong Opera. |