Investigation And Research On The Protection And Inheritance Center Of “Xiangju” In Changsha City From The Perspective Of Ethnomusicology

In the past,the troupes of “xiangju” were greatly well developed.After time changes,the development situation of professional troupes of “ xiangju ” is not optimistic at present.What is the historical and cultural context and current situation of the troupe?How to promote the cultural heritage of the troupe,as well as its own personality development?What’s more,other issues are waiting to be discovered too.This topic is based on Timothy Rice(Timothy Rice)"3-D model",in changsha“xiangju”to protect heritage centre(after referred to as the "center")as a case,the composition,the history of social relations and its maintenance,personal contribution to the development of "the center" the positive influence of carried on the thorough investigation,through the relevant literature,the old artist oral and the field survey data,the historical development stage and characteristics of "the center".This paper is divided into five parts.The introduction part presents the origin of the research of this topic,the previous research results,the research methods of this topic and the author’s field investigation review.The first chapter combs the three development stages and their backgrounds in the historical process of the "Center",and probes into the application management mode of the "Center" from the perspective of being synchronic.The second chapter summarizes the main social relations and related cultural policies that maintain the development of the "Center".The third chapter starts with the creation and artistic contribution of "Central" actors,and tries to analyze the shaping of the typical style of "Central" and the change of performing arts,as well as the influence of individual system culture and economic culture,so as to change the content and form of Hunan opera inheritance.The fourth chapter is the summary of former three chapters and ascension,which is analyzed mainly from the perspective of application of ethnomusicology due to the change of inheritance context and infiltration of state power and to strengthen the influence of cultural inheritance and development of "the center",and put forward related countermeasures and the development of the company based on the "3-D model" to expand the development of the "center".The "Center" here refers not only to the specific “xiangju”Protection and Inheritance Center in Changsha City,but also to the large number of local opera troupes.Tradition is a process of constant invention,through dynamic investigation,we can find that the historical development of "the center",social sustain and individual creativity is always under the support of national cultural policies.It changes along with the change of cultural policy and the urban environment constantly,and in the new media era it reflects more creative content,embodies the continuation of tradition and times feature of “xiangju”.This paper chooses "Center" as the research object.On the one hand,the author hopes to analyze the inheritance and transmission status of“xiangju” through in-depth investigation of the organization and performance status of the opera troupe,so as to explore how “xiangju” can seek its own inheritance and protection in the modern urban context.On the other hand,the author hopes to promote the better inheritance and development of the musical culture of“xiangju” through the case study and in-depth cultural interpretation of the professional opera troupe.