| Guzheng is one of the oldest national Musical Instruments in China and an indispensable treasure in Chinese traditional culture.Among them,Qin Zheng is a particularly important tributary in the development of Guzheng,and it has been closely related to the local customs,culture and folk music in the long history of the inheritance and continuation of Zheng music.In the process of development,it has gradually formed its own unique style characteristics and technical characteristics.Nearly a century since the first Qin zheng,in their own country that ShaanXi is almost lost,until 1957,when Mr Qin zheng leader comprehensive armor "true voice of the Qin dynasty,Qin Sheng Qin" under the call,and contemporary theorists,batch outstanding qin zheng,composers,performers,the qin zheng culture popularization development after a long time of study to explore the qin zheng culture to the unprecedented climax.Shaanxi Zheng School is mostly adapted and created on the basis of local operas,so most of the music has a strong Shaanxi local style.Through the analysis of the relevant literature and the exploration of the relevant historical background,the author has made a serious analysis and consideration from the historical development context,musical characteristics,mode and tonality in view of the extremely representative elements of the bowl cavity in Qin Zheng.First of all,when describing the creation background of "Qin soil",it is found that this work is a guzheng concerto with strong Shaanxi style,which focuses on the expression of the inner feelings of homesickness.It was created by the composer Mr.Zhou Zhan when he was working in Hong Kong,China in 2008,to express his feelings of homesickness with lyrical music.Then,from the three aspects of singing characteristics,mode characteristics and the rhythm of the board,this paper analyzes the combination and application of the music elements of the bowl cavity in the Zheng song "Qin soil feeling".Finally,in the zheng song "Qin soil feeling" from a variety of specific fingering,such as:vibrato,big fingers on the string and so on to analyze the performance of bowl cavity in the zheng music embodiment.Therefore,this paper excavates and explores the application of BowBowcavity elements in the Qin soil feeling of Zheng music I have learned,so as to fully analyze the artistic characteristics of Zheng music and understand the BowBowcavity of Chinese national opera culture,so as to better inherit and develop the BowBowcavity music and Chinese national opera culture. |