| Wooden New Year pictures,a traditional Chinese folk art,originated in the Zhou Dynasty.People first used door gods as the theme of New Year pictures and pasted them on both sides of the gate or bedroom door to exorcise evil spirits and pray for blessings.Later,with the invention of wood printing,people applied this technology to New Year pictures.At first,it was called "paper painting" in Song Dynasty,and "Huatie" in Ming Dynasty.It was not until Qing Dynasty that it was gradually called "Wood New Year pictures".Wooden New Year pictures originated from the images of gods,and the theme of gods is the most space.This paper analyzes the image characteristics of wooden New Year pictures through literature review and analysis.This paper sums up the movement and modeling characteristics of the images of gods in Wood New Year pictures.Through the analysis,we found the feasibility of applying the series of action and modeling features in the animation film.At the same time,we proved this argument through the practice of the animation short film "character".The paper is divided into six chapters.The first chapter introduces the background,purpose and significance of the topic,the research status at home and abroad and the innovation of this paper.It is found that the domestic analysis of the application of Wood New Year pictures in animation mainly starts from the color,human stories and other aspects,which is not deep enough and has the feasibility of more in-depth research.The second chapter introduces the background,development and implication of the images of gods in Wood New Year pictures,and analyzes the modeling characteristics of the images of human and animal gods respectively.In the third chapter,through detailed theoretical research,the author analyzes the characteristics of the image action design of gods.Through the study of human mechanics,human geometry,human physiological characteristics and human bone structure,this paper demonstrates the formation reasons of the action tension,balance stance and facial expression of the images of gods in Wood New Year pictures.The fourth chapter: Based on the theory of the third chapter,this paper compares some national Chinese animation from the 1970 s to the present,and finds that the shapes and actions of gods in Wood New Year pictures have been widely used in Chinese animation,and a set of unique rules have been formed in the transformation from "static" to "dynamic".The fifth chapter is based on this law,created the character modeling,character action and animation sub mirror of the animation short film "character".This chapter elaborates the influence of the divine action modeling in the wood New Year pictures on the film "character".It provides ideas for creators who want to combine Chinese national art and animation film,and studies the theory and design norms for more reasonable action design.The sixth chapter is the summary of the full text and future prospects: Wood New Year pictures provide a steady stream of inspiration and material for the creation of Chinese animation,not only in color or story,but also in the deep level of artistic value that every animator needs to explore... |
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