| A comprehensive science and technology book born in the ming dynasty of china,it describes in detail a large number of techniques,tools and processes in agriculture,handicraft production and processing.It is also known as "the 17 th century chinese encyclopedia of crafts’ ’.An important feature of the book is that it is accompanied by as many as 123 illustrations,which not only provide visual information for future generations to study the labor and production activities of ancient Chinese people,but also provide valuable resources for the art world to study the form and style of illustrations of ancient Chinese science and technology.At present,information dissemination has entered an era where the combination of graph and text has become a form of information composition that people are more receptive to and accustomed to using.The form of graph is no longer confined to static,and a large number of dynamic elements are beginning to be added to it.In such an era,when I again focus on the picturesque "works of nature," in addition to lamenting the wisdom of the ancients and "advanced" ideas of performance,but also eager to make the book illustrations dynamic.It is hoped that this classic,which appeared in the form of "avant-garde" at that time,will continue to be at the forefront of the times and continue to display the charms of chinese culture and technology in the contemporary world in a form more suited to modern aesthetic habits and information dissemination environment.This paper is divided into five chapters.The first chapter introduces the research background,purpose,significance and current situation of the subject;the second chapter explains the unique value of illustration to the illustration by analyzing the background,dissemination process and status and influence of the illustration;the third chapter analyzes the artistic style of illustration of the illustration in science and technology,summarizes the features and laws of composition,modeling,and the fourth chapter considers the dynamic presentation of illustration in the context of new media.The fifth chapter is based on the design practice of the above research content,the illustrations of "Heavenly Things’ ’are dynamically designed and re-presented. |