Research On The Thought Of "Taking Sorrow As Beauty" In Han Dynasty

Han Dynasty is an era of great turning point in Chinese history.Meanwhile,the "great Unity" autocratic system of Han Dynasty plays a very profound role in Chinese culture and art.In this special period,the forces from all sides promoted the unprecedented changes in the spiritual world of the Han people,and the changes in the spiritual world inevitably led to the transformation of the artistic spirit of the Han Dynasty.Although han dynasty social thought in dong "ousted hundred," the author under the shadow of ideological politics,however at this time of Confucianism has not old traditional Confucianism,the philosophy of "heaven induction" contributed to the han the awakening of individual life will instead,traditional Confucian thoughts of the people begin to be free of the shackles,the han dynasty social strata are a reflection of individual life art,And formed the natural attribute of life is sad,and the han dynasty "taking sadness as beauty" aesthetic thought is derived from the unique social environment of the Han Dynasty.This paper takes the aesthetic thought of "compassion and beauty" in Han Dynasty art as the research object,mainly excavates the aesthetic thought under the unique aesthetic phenomenon of Han Dynasty from the aesthetic point of view,and discusses its aesthetic significance.In this paper,the idea of research step by step,step by step.The first chapter first discusses and defines the specific connotation and aesthetic characteristics of "compassion for beauty" again,and mainly sorts out the historical tradition of "taking compassion as beauty" aesthetic consciousness before han Dynasty,so as to prove the historical inheritance and rationality of the compassion for beauty in Han Dynasty.The second chapter mainly discusses the spirit of The Times of the han Dynasty.Starting from the unified autocratic politics of the entire Han Dynasty,the article starts with the social spirit and artistic spirit of the Han Dynasty respectively,and takes the spiritual world and social psychology of scholars as clues to grasp the leading spiritual foundation of the Han Dynasty society,so as to find and prove the spiritual foundation of The Times when the "sorrow and beauty" of the Han Dynasty came into being.The third chapter is the core of this paper,mainly discusses the main body of the Han Dynasty"sad beauty"generated by the aesthetic sense of psychology.The article mainly starts from the philosophical basis,the subject psychological structure and the aesthetic psychological mechanism of the consciousness of"compassion for beauty"in the Han Dynasty,and tries to explain the theory of"compassion for beauty"in the Han Dynasty from the philosophical and aesthetic perspectives.The fourth chapter mainly summarizes and concretely analyzes the main artistic expression forms and aesthetic objects in the artistic content of"pathetic beauty"in the Han Dynasty,and reflects the objective reality of the aesthetic fashion of"pathetic beauty"in the whole Han Dynasty.Finally,this paper tries to present the exterior and interior of the"tragic beauty"in the Han Dynasty with its connotation,historical tradition,spiritual world of han people,artistic spirit,artistic expression form,aesthetic object,philosophical basis,aesthetic psychology and perceptual mechanism as the key points.