The Opera Factors And Deduction Of Mozart’s Fantasia In C Minor K.475

Wolfgang Amadeus Mozart(1756-1791),as one of the great musicians of European classicism,has a high degree of achievement that other musicians did not have at the same time.His music works are rich in genres,including opera,symphony,chamber music,Concerto and keyboard works,etc.,which are unique with vivid emotion and exquisite texture.Mozart’s keyboard works are widely used in performance and teaching,and also occupy a very important position in the history of western piano art.Fantasia in C minor(k.475)is one of Mozart’s representative works in the middle and late period.This paper combines Fantasia in C minor(k.475)with opera through three chapters.By comparing Mozart’s creation characteristics of individual opera,it shows that this work has great significance in dramatic expression of music,musical language of singing form,improvement of ensemble,finale and band status,etc The opera factor demonstrates that the work has the following opera characteristics: using music to express drama independently,emphasizing the dramatic tension in music;enhancing the weight and expressiveness of duet and Finale;using diversified singing forms to depict various characters;giving full play to the function of the band,appropriately integrating the voice and band,etc.Through the comparative analysis of Mozart’s operatic factors and Fantasia in C minor(k.475),this paper deeply understands the spirit and connotation of this work,and provides new performance viewpoints,so as to provide more recreation space for performers,and also provide certain reference value for music performance and teaching.