Narrative Research On Domestic Black Humor Films

As people’s aesthetic demand from the standardized to diversification,under the influence of materialism cultural context,industrial assembly line produced a large number of commercial film,its cultural connotation and ideological value gradually deviate from the movie as the core value of the arts,embodied in the content of the entertainment form the thought depth of the film.Black humor,as a special art style,shows unique humanistic care in the form of banter,presenting a different aesthetic taste,and has a warning and educational role in the real society.Therefore,it is necessary to conduct a comprehensive and systematic review of black humor movies.This paper takes excellent black humor films at home and abroad as the research object,and takes narrative theory as the guidance,in order to explore the performance characteristics of domestic black humor films at the narrative level in recent years.In order to deeply understand the ideological core and external form of black humor,this paper adopts case study method,comparative study method and practical study method to analyze and interpret excellent cases,and divides the main part of the discussion into three parts: narrative theme,character expression and image characteristics.At the same time with the same type,same time and same latitude of a comparative study,and on this basis the extension expansion,combining the theory of narratology,think creator for the black reality feel rather than cold criticism consciousness,and the use of research results to guide the graduation creation,in practice constantly enrich and perfect the theory system.In the writing process,the author takes the origin of black humor movies and the narrative characteristics after localization as the main line.In the first and second chapters,the origin and localization process of black humor movies are sorted out.In the third chapter,the characteristics of contemporary Domestic black humor movies in narrative,characters and image expression are summarized.The fourth chapter further explores and discovers the theoretical system based on the author’s graduation creation,and reflects on the problems existing in the creation process.Due to time constraints and the author’s personal level,there are still some shortcomings in this paper,for example,the cognition of the combination of narrative theory and black humor film is not deep enough,and the selection of cases in the analysis of narrative characteristics is not comprehensive enough.These problems will be checked and filled in later.After summarizing and refining,this paper puts forward the conclusion that contemporary Domestic black humor films have the characteristics of carnival: Allegorical reflection,as a social symptom of black humor movie focuses on a typical characters and events in the process of social transformation and development,mining the intriguing place in daily life and the usual logic,focusing on improving the contradiction between character and self,others and the environment,so as to create the myth of color,its essence is the kernel with comedy shell of tragedy,To establish a new order in deconstructing meaninglessness.This paper can provide valuable reference for film and television creators in their creation,and also supplement some gaps in the study of domestic black humor films,which has practical value in both theory and practice.