Study On The Influence Of Buddhist Cosmology On Tibetan Buddhism’s Tantric Temple Of Three-dimensional Dharma

Most of the existing studies on buddhist cosmology and the altar of three-dimensional dharma are focused on philosophy and aesthetics.The study of buddhist cosmology focuses on the perspective of architectural semiotics or abstract schema,which is mainly expressed by simple symbols or elements.It is not directly related to the design idea and origin of the altar city of three-dimensional dharma,and there are many studies on the schema of mandala in Tibetan areas.The domestic academic circles have paid attention to the influence of the buddhist universe on the Tibetan buddhist architecture,but no scholars have made in-depth and detailed studies on the combination of the buddhist cosmology and the three-dimensional dharma altar city.Foothold under the perspective of buddhist cosmology to interpret the subject,its background of the development of Tibetan Buddhism,stand in the perspective of buddhist cosmology profiling mandala graphic art,trying to combine buddhist cosmology,Tibetan doctrines,religion and the analysis of the aesthetic art forms such as stereo multiplier mandala,deep observation and the places in the city the buddhist world view factors.The main content of this study is the type of altar of ritual instruments in the qing dynasty and the religious significance of buddhist cosmology to altar of ritual instruments.By means of graphic language,this paper describes the three-dimensional instrument altar city with modern drawing tools,compares it with mount xumi described in buddhist scriptures,and analyzes the influence of buddhist cosmology and mount xumi on the three-dimensional instrument altar city,so as to make up for the gap in the current research on the three-dimensional instrument altar city.