Research On 3D Ink Animation Space Construction Method

Under the development trend of economic globalization,a large number of foreign cultures have been imported into China,especially in the 21 st century.Compared with the import of foreign cultures,Chinese culture has not exerted its due advantages.To strengthen the international competitiveness of traditional culture,visual arts have more advantages than words.Chinese landscape painting has a long history and holds a very important position in the history of traditional Chinese painting.Therefore,art creation and innovation based on traditional Chinese painting has become the first task in global ideology and cultural competition,and it is quite competitive.Ink animation is such an art form that has both traditional artistic characteristics and good communication power,and contains the unique aesthetic taste and form charm of the Chinese nation.From the1960 s to the present,many traditional Chinese ink animations have been deeply rooted in the country,and are highly regarded both at home and abroad.With the continuous development and application of three-dimensional technology,ink animation has shown a trend of transition from two-dimensional to three-dimensional,and its theoretical research and artistic expression methods have also been improved and innovative.Traditional landscape painting techniques,perspective space,coloring and other features are fused with digital technology,so that contemporary three-dimensional ink painting can not only maintain the essence of traditional Chinese landscape painting but also have the characteristics of contemporary times,and also meet the aesthetic needs of contemporary audiences.However,in the process of restoring the space of traditional landscape painting,most of the three-dimensional ink painting works have not been able to perfectly integrate the two.Therefore,this paper analyzes the development status of traditional ink animation and three-dimensional ink animation,summarizes the spatial construction characteristics of three-dimensional ink animation,and conducts in-depth research on the problems existing in the conversion of traditional landscape painting to three-dimensional ink animation.It focuses on how to use advanced digital technology Restore the traditional landscape painting space in the virtual three-dimensional space,and explore the construction method of the three-dimensional ink-and-wash animation space to realize the change from "quiet" to "moving" of traditional landscape painting.A targeted solution was proposed to guide the practice theoretically,organically combine3 D digital technology with traditional landscape painting,fuse the artistic conception space of ink animation with 3D three-dimensional space,and create a tradition that preserves the vision of traditional landscape painting while inheriting its cultural core.Excellent 3D ink painting works.This research can promote the inheritance and dissemination of traditional Chinese culture,and help build the cultural confidence of our people.It is an important boost for the innovation and development of Chinese literary arts.It can also provide new ideas for the subsequent 3D ink animation and even the creation of animation art.And suggestions to promote the development and exploration of 3D ink animation in the field of animation art and technology,enhance the depth and breadth of animation theory research,and promote the industrialization of animation.