A Study On The Mengchuang Ci Under The Theory Of Fuzzy Aesthetics

Fuzzy aesthetics of the "uncertainty" introduced the concept of aesthetic category,the "uncertainty" of "fuzzy beauty" has become an important research object fuzzy aesthetics theory,and put forward the systematic fuzzy aesthetics ideology,which makes the fuzzy aesthetics became an certain and uncertain,the orderly and disorderly and vibrant disciplines,provides a theoretical basis for study of the fuzzy beauty of literature.As a literary theory,fuzzy aesthetics provides a new Angle for the study and appreciation of poetry.Wu Wenying,a poet of ci in the Southern Song Dynasty,emphasized the "implication" of ci writing.The principle of "implicative" makes it full of fuzziness in the expression and concealment of self-emotion and the use of artistic technique,and shows different fuzzy aesthetic feeling in aesthetic form.This paper takes "Mengchuang Ci " as the research object,takes the theory of fuzzy aesthetics as the entry point,and based on the research status of " Mengchuang Ci ",adopts the traditional text reading method,analyzes and discusses the fuzziness contained in "Mengchuang Ci" and the form of fuzzy beauty under the fuzzy aesthetics theory,so as to give "Mengchuang Ci" a different interpretation.The first chapter of this paper analyzes the factors that constitute the vague beauty of Mengchuang Ci in the context of fuzzy aesthetics.Firstly,the techniques of metaphor,analogy and synesthesia are used in the aspect of rhetoric.While making the Ci more vivid,it produces rich association and imagination,resulting in the vague beauty of Mengchuang Ci.Secondly,in the use of allusions,the combination of scriptures and language scriptures enriches the meaning of words and at the same time creates a vague beauty in the writing of words.Thirdly,in the aspect of image combination,the likeness and leaping of images add "dreamlike feeling" to " Mengchuang Ci " and lead to its vague beauty;Finally,in terms of the temporal and spatial structure,the transitions between time and space in Dream Window Ci result in the ambiguous beauty of meanings.The four aspects complement each other and permeate each other,which constitute the fuzzy beauty factor of Mengchuang Ci.The second chapter analyzes three kinds of fuzzy beauty forms in Mengchuang Ci,including the fuzzy beauty of visual perception manifested by scenery and circumstance,the incomplete fuzzy beauty caused by the broken image and fragmentation of images,and the corresponding fuzzy beauty caused by the correspondence between virtual and real,official and hidden.The third chapter,starting from the objective factors,discusses the promotion mechanism of fuzzy beauty in " Mengchuang Ci " and its influence on the fuzzy beauty in her literary works from three perspectives,namely,the political situation in the Southern Song Dynasty,Wu Wenying’s helplessness under the support of others and the sadness of love affairs.