Chu Song was created by Li Bochan.Since its debut at the opening ceremony of Beijing Hu Qin Art Festival in 2014,it has been favored by double Hu Qin players.Chu Song is also an excellent work that highlights the characteristics of the times.The composer uses unique and delicate creative techniques to bring the audience to the fierce battle scene,so as to feel the heroic spirit of Xiang Yu,and make people feel the separation between him and Yu Ji.This song depicts Xiang Yu’s tragic and heroic feelings of killing himself in Wujiang River,and makes people feel the elegant demeanor of a generation of heroes.In the degree concert,the author of the paper took “Chu Song” as the performance repertoire,and combined professional practice with theory by exploring the performance practice and theory of the work.This paper mainly analyzes the three-dimensional structure of the work from three aspects: the general situation of creation,the performance skills and the characteristics of stage deduction.The innovation of this paper lies in the author’s application of the performance techniques and characteristics of double huqin(Gaohu and Erhu).By analyzing the balance of the relationship between the voices and the coordination of skills,the author explores the characteristics of the double huqin in the stage performance of Chu Song,compares the stage performance forms of Erhu solo and double huqin ensemble,and tries to comprehensively discuss the music expressive force of the double huqin and other related issues.The author hopes that more composers will pay attention to diversified ensemble forms and let the majority of Huqin players can master more ensemble skills,so as to strengthen the awareness of double Huqin performance and play a certain role in promoting the sustainable development of Huqin creation. |