| This paper takes Jin Youzi’s works Collectiong of Jin Wenjing,Northern Expedition Poems,and The Records of the Northern Expedition as the research object,Centering on the influence of the change of geographical space on Jin Youzi,this paper intends to analyze the expression of the emotional implication of Jin Youzi’s poems and the characteristics of poetry creation under the transformation of geographical space.This paper consists of six parts.The first part is the introduction,which mainly collates and summarizes the research situation of Jin Youzi’s poetry and literary geography.The second part combs the life footprints of Jin Youzi and determines the creation location of the works.The third part combs the geographical landscape of the geographical space where Jin Youzi is located.Jin Youzi toured northward with the emperor and moved northward from Nanjing,with the space constantly changing and the landscape constantly changing.The natural landscape is colorful in the north and south,from the verdant and beautiful mountains in the south of the Yangtze River to the desolate frontier desert,from the auspicious rain and snow in Beijing to the cold and harsh frontier rain and snow.In terms of cultural landscape,from the magnificent Kyoto palace to the magnificent and dangerous border fortress,from the poetic and picturesque countryside to the historical monuments left over by our predecessors.The fourth part analyzes the emotional connotation of Jin Youzi’s poems under the transformation of geographical space.When Jin Youzi was far from home and was in Kyoto,most of his poems and essays were composed of singing peace and prosperity,praising Emperor Shengde,or sorrowful exhortation when bidding farewell to relatives,friends and staff,or the desire to return to seclusion when he had lived in officialdom for a long time and was physically and mentally exhausted.On the other hand,when he went to the northern part of Beijing and was in the border land,the scholar’s sense of patriotism and fame occupied,the national complex of Hua Zun and Yi Bei was obvious,and the hardship of marching was also reflected,and the empathy of emperors to his subordinates was also reflected.The distance between the space and the body and mind is lengthened,and the feeling of detention and travel is filled with between the lines.The fifth part discusses the creative characteristics of Jin Youzi’s poems under the geographical space transformation,one is the diversification of time and space patterns,such as "Hanjiang fishing alone","heavy nine climbing","human face peach blossom" and "west window candle cutting";the second is the diversification of spatial transformation,through borrowing things transformation,line of sight transformation,follow-up transformation and combination transformation.The sixth part analyzes the literary and historical value of Jin Youzi’s poems.In the poetry circle of the early Ming Dynasty,which took the cabinet style as the mainstream,Jin Youzi had a part of the creation of the cabinet style,but there were also poems that were different from the cabinet style,such as the Collection of Poems of the Northern Expedition and the Collection of Poems of the Northern Expedition,whose ideological content and artistic style exceeded the style of the Taiwan Cabinet and enriched the creation of poetry in the early Ming Dynasty.Many historical events at that time were recorded in the poems,such as the Northern Expedition,the spread of poems and essays in Bajing,the tribute of rare beasts in the surrounding small countries,the reconstruction of temples,ancestral halls and temples in various places,and so on,which confirmed the occurrence of the events at that time from the perspective of poetry.It plays the role of verifying history by literature and history by poetry.By analyzing Jin Youzi’s poems from the perspective of literary geography,we can observe Jin Youzi’s works from the perspective of space,which provides a new way for us to understand Jin Youzi and explore the connotation of his works. |