A Narrative Research Of Chinese Traditional Classic Stories In Animated Films

Chinese traditional classic stories are a very important source of adaptation of domestic animated films,while domestic animated films are an important medium to preserve Chinese traditional classic stories,which complement with each other.At the present stage,the production technology of domestic animation has been continuously improved,and the story content has been continuously innovated.China’s excellent animated films are endless,showing a good trend of development.In this paper,based on the relevant theory of art and narrative,the traditional Chinese classic tale in the domestic animation film narrative study,explore the traditional Chinese classic tale in the narrative patterns and features of the domestic animation film,strives to explore domestic animation creation content,finishing the writers thought,and in the case of its rich theoretical research results.Firstly,it describes the relationship between domestic animation and traditional Chinese classic stories,and summarizes the development of traditional Chinese fairy tales.Then,it combines <Ne zha :i am the destiny > <Princess Iron Fan> <White Snake> <Big Fish Begonia> <lotus Lantern> and <monkey king hero is back> studied the narrative mode,content,time and space,and perspective of domestic animated films,and analyzed the narrative mode and characteristics of traditional classic stories in domestic animation.Finally,it analyzes the existing problems of domestic animation film narrative,and puts forward the narrative strategy and the direction of development and creation of domestic animation in the future.Domestic animation film with subjective and objective cross,dream and reality changes,traditional and modern fusion of narrative perspective,personalized narrative time and narrative space fantasy,as well as the diversified story theme,defamiliarization characters,the relationship between the antagonistic character,the core value of traditional culture concept,showed vigorous development trend,On the way of catching up with international animation films,we have made qualitative improvement and progress.At the same time,there are also some problems in the narrative of Chinese animated films,such as the lack of depth of theme content,the relatively single narrative plot,the lack of narrative tension and so on.In the future,the creation of domestic animated films should grasp the innovation of cultural tradition and enrich the content of topic selection;Enhance story-telling ability and flexible plot setting;Use traditional cultural elements to schedule the plot reasonably.With the joint efforts of contemporary Chinese animation creators,we strive to make the domestic animation significantly improved in both quantity and quality,and achieve a higher status among similar international works.