Virtual Reality-Research On Visual Construction And Aesthetic Evolution Of Digital Museum

Nowadays,the development of science and technology has provided technical support for digital museum,which changes their organizational structure and constructs a new visual system.This paper puts the digital museum under the vision of visual culture research,and mainly discusses the two-way relationship between the visual construction of digital museum and the aesthetic experience of audience around the production of visual image of the digital museum.Digital museum provides audiences with a new public platform based on use the Internet,as well as providing them with new interactive possibility that is different from the entity.The audience can selectively obtain the content they need in a more convenient and active way,while gain the interactive experience of virtual technology.This paper can be divided into four chapters.The first chapter sorts out the history of digital museum.As a new public platform,the digital museum has its own operating rules in the development process under the background of visual culture,which has formed a new visual system.The second chapter focuses on the visual system of digital museum and discusses the ideographic practice of its visual representation.The representation way of digital museum is based on knowledge-based representation,while the investigation of complex composition process and characteristics of image not only involves the production of discourse order,but also the production of presentation context and virtual space,which both construct the new visual presentation method for digital museum.However,there is still paradox in the virtual ideographic practice of digital museum: the lack of real experience and the flatness of virtual space,in which case,the audience cannot really obtain the visual experience.The third chapter discusses the construction of the audience’s visual experience around the way of viewing.In the digital museum,the specific visuality is affected by new visual environment,and there are interactive behaviors that encourage and limit the coexistence of audience’s viewing methods.The digital museum can present a new perspective and line of sight,as well as new visual communication behavior interaction,which break the original hidden rules of visual behavior orientation,as well as constructing a new visual order.However,the visual perception of audience is still confused.Under the saccade experience with distracted attention,fragmented knowledge reading appears in the audience’s cognition,which widens the distance between the visual text and the audience’s cognition.The fourth chapter explores the two-way construction of visual system of digital museum and the aesthetic experience of audience.In current visual cultural environment,the two-way construction of digital museum and audience is not only visual,but also cultural and social.First of all,the digital museum is not only a knowledge space with interactive characteristics,its image production also has the characteristics of popular culture due to the addition of cartoon elements,which presents the dual space of experience and knowledge.Secondly,it discusses the impact of new media of digital museum on students’ new aesthetic experience.The author finds that the visual image production of digital museum has certain promoting effect on the construction of intuitive aesthetic experience,which has certain effect on correcting the original knowledge input that is incorrect.In addition,the learning process of students is a process of exploration based on empirical reference.However,the self-inquiry learning method of digital museum tends to cause excessive attention to the visitor experience,while the construction of audience experience tends to be homogenized,simplified,experienced and entertained.Perceptual learning that focuses on aesthetics will be the key task of museum education activities in future,so as to enhance more profound understanding and insights.The fifth chapter summarizes the full paper.The research holds that based on the visual construction process of "image-ideographic practice-audience",the construction principles of image representation and discourse configuration imply two orientations of knowledge-based representation and entertainment interaction.The digital museum will promote the evolution of audience’s aesthetic experience with its new visual system,while become a new platform for the dissemination of visual culture,as well as the significant carrier of aesthetic education practice.