Research On Domestic Sci-Fi Network Genre Plays

Against the background that the Chinese web drama market is showing a good trend,science fiction web dramas have also begun to appear in scale and have a certain type of characteristics.This article selects Chinese science fiction online dramas from 2014 to 2020 as the research object,mainly from the aspects of genre characteristics,theme implications,and cultural thinking,so as to provide certain theoretical support for the development of science fiction online dramas.This article is divided into five chapters.The introduction part mainly elaborates from four aspects:research object and research background,research status,research value and significance,and research methods.On the basis of absorbing the results of previous studies,the author defines science fiction web dramas as "reflecting certain development results that may occur in the future through science fiction,focusing on showing human expectations and anxiety about unknown possibilities,and reflecting human self take care of it.And use the Internet as the first channel,a series or series produced specifically to satisfy the viewing of Internet users."Chapter One:"Overview of Science Fiction Network Dramas" firstly defines the types of science fiction and sorts out the three development stages of science fiction network dramas.2013-2015 is the embryonic period.The drama series started from the drama,mostly tentative pilot broadcasts,the overall production is relatively rough,and there are few complete thematic expressions;2016-2019 is the exploratory period,and the major videos of this period The website has paid attention to science fiction themes to a certain extent,the adaptation of science fiction IP is sought after,the fan culture is valued,the trend of genre integration is more obvious,and four major themes of suspense,youth,adventure,and ancient costume have been formed;starting in 2019,science fiction web dramas have entered During the development period,further breakthroughs were made in the form of expression,emerging forms such as animation,interactive dramas,and the combination of drama series appeared,and works with good reputations such as "My Three-Body Chapter:Beihai Biography" were created.Chapter Two:"Type Elements of Science Fiction Network Drama" starts from narratology and analyzes the audiovisual language expression,narrative space construction and character creation mode of science fiction network drama.The audio-visual language is analyzed from three aspects:typical color design,scientific and technological texture spectacle construction,and immersive sound effect shaping.Spatial narrative research is carried out around three spatial modes of meta-world with images of homes and houses,heterotopia-like spaces,and transitional spaces that add narrative dimensions.Characterization is carried out in-depth analysis and comparative research from two types of "alienated"other and "extraordinary" self.Chapter Three "Ethical Discussion on Sci-Fi Network Dramas" discusses the ethical expression of sci-fi network dramas from three aspects:technical ethics,ecological ethics,and omnic ethics.In terms of technology ethics,this article focuses on the current status quo of technology fear,and conducts a text analysis of the echoes of science fiction web dramas to technology ethics.In terms of ecological ethics,this article analyzes the creative tendency of science fiction web dramas from "disenchantment"to "re-enchantment" In terms of ethics of omnics,this article analyzes the ethical ideals of artificial intelligence in science fiction web dramas.Chapter 4 "Cultural Thinking of Science Fiction Network Drama" firstly analyzes the role of science fiction network drama in the improvement of national cultural soft power from the position of science fiction culture in the field of ideology.Secondly,it analyzes the philosophical connotation of sci-fi internet dramas using Heidegger’s theory of technology integration,Baudrillard’s theory of simulation and implosion.The appendix is the author’s creative experience as the editor in charge of the sci-fi web drama "From the Earth" and the adaptation of the Galaxy Award sci-fi IP novel.On the basis of direct experience,the author has made a certain sorting and reflection on the current production environment and production ideas of sci-fi network dramas,hoping to benefit the development of domestic network sci-fi dramas.